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220311s2022 ncu ob 000 0 eng d |
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|a YDX
|b eng
|c YDX
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|d OCLCO
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|d JSTOR
|d K6U
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|a 1302685478
|a 1302738626
|a 1302952782
|a 1302984859
|a 1303083724
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|a 9781469670966
|q (electronic bk.)
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|a 1469670968
|q (electronic bk.)
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|z 9781469670942
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|z 1469670941
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|b 000071567494
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|a (OCoLC)1303055612
|z (OCoLC)1302685478
|z (OCoLC)1302738626
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|z (OCoLC)1302984859
|z (OCoLC)1303083724
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|a 22573/ctv2cqnksd
|b JSTOR
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|a PN1995.9.W6
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|a 791.4302/30820982
|2 23
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|a UAMI
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100 |
1 |
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|a Forcinito, Ana,
|e author,
|e translator.
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1 |
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|a Óyeme con los ojos.
|l English
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245 |
1 |
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|a Hear me with your eyes
|h [electronic resource] :
|b women, visions, and voices in Argentine cinema /
|c Ana Forcinito ; translated by Andrea Rosenberg and Ana Forcinito.
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264 |
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|a [Raleigh, NC] :
|b Editorial A Contracorriente :
|b Department of Foreign Languages and Literatures at North Carolina State University,
|c [2022]
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264 |
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|a Chapel Hill :
|b University of North Carolina Press
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300 |
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|a 1 online resource
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0 |
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|a Transcendence, gaze, and voice: María Luisa Bemberg -- Whispers in a realm of voices: Lucrecia Martel -- That scream, that writing, that lost voice: Albertina Carri -- Voices and echoes -- The politics and aesthetics of the visible and the audible -- The sonorous crystal-images of memory -- The voice and the unlivable.
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|a "Hear Me With Your Eyes examines the intrusion of the voice into the cinematographic gaze and the intersections (and ruptures) of the sound-image in Argentine women filmmakers from a feminist perspective. In different ways, they explore the visual realm through the continuities, intrusions, irrelevancies, harmonies, and desynchronizations of the voice. Or, instead, they explore the different voices and their modulations, including whispers, screams, singing, echoes, breathing, resonance, sighs, and the transcendent voice, the narrator voice, the silenced voice, the articulated and unarticulated voice, and that which is none of the above. These voices suggest another relationship with the audiovisual realm, one that seems to include a closeness that erases, if only intermittently, the unalterable relationship between subject and object that characterizes the patriarchal visual regime"--
|c Provided by publisher.
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Motion pictures and women
|z Argentina.
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650 |
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|a Women motion picture producers and directors
|z Argentina.
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650 |
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|a Women in motion pictures.
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650 |
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0 |
|a Femininity in motion pictures.
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650 |
|
0 |
|a Feminism and motion pictures.
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650 |
|
0 |
|a Motion picture producers and directors
|z Argentina.
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650 |
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0 |
|a Motion pictures
|z Argentina.
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650 |
|
6 |
|a Cinéma et femmes
|z Argentine.
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650 |
|
6 |
|a Productrices et réalisatrices de cinéma
|z Argentine.
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650 |
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6 |
|a Femmes au cinéma.
|
650 |
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6 |
|a Féminité au cinéma.
|
650 |
|
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|a Féminisme et cinéma.
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650 |
|
6 |
|a Producteurs et réalisateurs de cinéma
|z Argentine.
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650 |
|
7 |
|a Femininity in motion pictures.
|2 fast
|0 (OCoLC)fst01903226
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650 |
|
7 |
|a Feminism and motion pictures.
|2 fast
|0 (OCoLC)fst00922742
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650 |
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7 |
|a Motion picture producers and directors.
|2 fast
|0 (OCoLC)fst01027225
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650 |
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7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
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7 |
|a Motion pictures and women.
|2 fast
|0 (OCoLC)fst01027425
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650 |
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7 |
|a Women in motion pictures.
|2 fast
|0 (OCoLC)fst01177931
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|a Women motion picture producers and directors.
|2 fast
|0 (OCoLC)fst01178163
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651 |
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|a Argentina.
|2 fast
|0 (OCoLC)fst01205614
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700 |
1 |
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|a Rosenberg, Andrea,
|e translator.
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776 |
0 |
8 |
|i Print version:
|z 9781469670942
|z 1469670941
|w (DLC) 2022004941
|w (OCoLC)1292704162
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5149/9781469670966_forcinito
|z Texto completo
|
938 |
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|a YBP Library Services
|b YANK
|n 20508801
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH39851999
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|a YBP Library Services
|b YANK
|n 302769289
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|a ProQuest Ebook Central
|b EBLB
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|a EBSCOhost
|b EBSC
|n 3191999
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|a 92
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