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Living genres in late modernity : American music of the long 1970s /
"Living Genres in Late Modernity reassesses the role of genres in musical practice and experience. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constel...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oakland, California :
University of California Press,
[2022]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 001 | JSTOR_on1302588094 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 220204s2022 caua ob 001 0 eng | ||
| 010 | |a 2022005491 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d OCLCF |d OCLCO |d YDX |d N$T |d JSTOR |d OCLCQ | ||
| 019 | |a 1303569203 | ||
| 020 | |a 0520388798 |q electronic book | ||
| 020 | |a 9780520388796 |q (electronic bk.) | ||
| 020 | |z 9780520388765 |q hardcover | ||
| 020 | |z 9780520388772 |q paperback | ||
| 035 | |a (OCoLC)1302588094 |z (OCoLC)1303569203 | ||
| 037 | |a 22573/ctv2vpvmjv |b JSTOR | ||
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| 050 | 0 | 4 | |a ML3477 |b .K66 2022 |
| 072 | 7 | |a MUS |x 020000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 055000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 054000 |2 bisacsh | |
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| 084 | |a MUS020000 |a MUS054000 |2 bisacsh | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a Kronengold, Charles |q (Charles Stewart), |e author. | |
| 245 | 1 | 0 | |a Living genres in late modernity : |b American music of the long 1970s / |c Charles Kronengold. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2022] | |
| 300 | |a 1 online resource (unpaged) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : listening for genres -- Unengaging histories : the pop song's "more" and melancholy democracy, 1968-69 -- Space issues : the seventies-soul complex -- Exchange theories : disco, new wave, and album-oriented rock -- Senses : nocturnes among the smaller genres -- Forces : the late-modern concerto -- Afterword. | |
| 520 | |a "Living Genres in Late Modernity reassesses the role of genres in musical practice and experience. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constellations of works, people, practices, institutions, technologies, money, conventions, forms, ideas, and multisensory experiences. What these genres share is a significant cultural moment: they arrive just after 'the sixties' and are haunted by a sense of belatedness or loss, even as they embrace narratives of progress or abundance. These genres give us reasons--and means--to examine our culture's self-understandings. Through close readings and large-scale mappings of cultural and stylistic patterns, the book's five linked studies reveal how genres help construct personal and cultural identities that are both partial and overlapping, that exist in tension with one another, and that we experience in ebbs and flows"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on August 19, 2022). | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Popular music |z United States |y 1971-1980 |x History and criticism. | |
| 650 | 0 | |a Popular music |z United States |y 1961-1970 |x History and criticism. | |
| 650 | 0 | |a Popular music |x Social aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Popular music genres. | |
| 650 | 6 | |a Musique populaire |z États-Unis |y 1971-1980 |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |z États-Unis |y 1961-1970 |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |x Aspect social |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Genres de musique populaire. | |
| 650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC / Philosophy & Social Aspects. |2 bisacsh | |
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 650 | 7 | |a Popular music genres. |2 fast |0 (OCoLC)fst01747460 | |
| 650 | 7 | |a Popular music |x Social aspects. |2 fast |0 (OCoLC)fst01071460 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Kronengold, Charles |t Living genres in late modernity |d Oakland, California : University of California Press, [2022] |z 9780520388765 |w (DLC) 2022005490 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2vr8v9t |z Texto completo |
| 938 | |a EBSCOhost |b EBSC |n 3342708 | ||
| 994 | |a 92 |b IZTAP | ||