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Worlds of social dancing : dance floor encounters and the global rise of couple dancing, c. 1910-40 /

A global history of couple dancing in commercial venues in the era of the two world wars.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Nathaus, Klaus (Editor ), Nott, James J. (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester [UK] : Manchester University Press, 2022.
Colección:Studies in popular culture (Manchester, England)
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • <P>Introduction Dance floor encounters and the global rise of couple dancing: an introduction to the worlds of social dancing
  • Klaus Nathaus and James Nott<br>1 Tango dancing in Buenos Aires: women, style and intimacy (1920-1940)
  • Cecilia Tossounian<br>2 Building 'Dreamland': dancers, musicians, and the transformation of social dancing into mass culture in the USA, c. 1900-1941
  • Klaus Nathaus<br>3 'We do not want "fairies" in the ballroom': working-class men, dancing and the renegotiation of masculinity in interwar Britain
  • James Nott<br>4 Similar steps, different venues: the making of segregated dancing worlds in South Africa, 1910-1939
  • Alida Maria Green<br>5 'European dances' in colonial Kikuyuland: modernities, ethnicity, and politics, 1926-1947
  • Cécile Feza Bushidi<br>6 Domesticating the social dance: the case of New Zealand between the two World Wars
  • John Griffiths<br>7 Demarcating status: tango music and dance in Japan, 1913-1940
  • Yuiko Asaba<br>8 The rise of Chinese taxi-dancers: glamorous careers, romantic fantasies, and sexual dreams on the dance floors of Shanghai, 1919-1937
  • Andrew David Field<br>9 Dancing through dictatorship: everyday practices and affective experiences of social dancing in Fascist Italy
  • Kate Ferris<br>10 Co-ordinating for love: establishing conventions of romantic couple dancing in interwar Germany
  • Klaus Nathaus<br>11 Between control, education, and free communication: socialdancing in the USSR from the 1920s to the early 1960s
  • Igor Narskiy</p>