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Selfie aesthetics : seeing trans feminist futures in self-representational art /

"In Selfie Aesthetics, Nicole Erin Morse argues that selfies, and selfies by trans feminine creators specifically, interpellate viewers in politically committed encounters. Morse's close readings of individual selfies uncover complex formal strategies that belie the sense that these are ar...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morse, Nicole Erin, 1987- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2022.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Morse, Nicole Erin,  |d 1987-  |e author. 
245 1 0 |a Selfie aesthetics :  |b seeing trans feminist futures in self-representational art /  |c Nicole Erin Morse. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
300 |a 1 online resource (xvii, 179 pages) :  |b illustrations 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
588 |a Description based on print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a Doubling -- Gender performatives and selfie improvisatives -- Visibility politics and selfie seriality -- Selfie time(lines) -- Trans feminist futures. 
520 |a "In Selfie Aesthetics, Nicole Erin Morse argues that selfies, and selfies by trans feminine creators specifically, interpellate viewers in politically committed encounters. Morse's close readings of individual selfies uncover complex formal strategies that belie the sense that these are artless or disposable media. Rather than narcissistic or frivolous, selfie creators are artists in political networks who present improvisational identities and new modes of performative resistance. Focusing on four formal strategies-doubling, seriality, collaborative improvisation, and nonlinear temporalities-Selfie Aesthetics shows not only the art of the polysemic form, but also the materialities of trans life that selfies convey. Tracing these strategies in selfies and self-representational art by artists including Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, Selfie Aesthetics demonstrates the aesthetic depth and political utility of selfie creation, distribution, and reception. Contributing to trans feminist political analysis, Selfie Aesthetics shows how digital self-representational art can nuance key insights of queer theory, expand our understanding of self-representation, and construct collective and collaborative modes of being"--  |c Provided by publisher. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Selfies (Photography)  |x Social aspects. 
650 0 |a Portrait photography  |x Social aspects. 
650 0 |a Portrait photography  |x Political aspects. 
650 0 |a Self-presentation in art. 
650 0 |a Transgender people in art. 
650 0 |a Transgender artists. 
650 0 |a Transgender women. 
650 0 |a Feminism in art. 
650 6 |a Égoportraits  |x Aspect social. 
650 6 |a Portraits (Photographie)  |x Aspect social. 
650 6 |a Portraits (Photographie)  |x Aspect politique. 
650 6 |a Présentation de soi dans l'art. 
650 6 |a Transgenres dans l'art. 
650 6 |a Artistes transgenres. 
650 6 |a Transgenres féminins. 
650 6 |a Féminisme dans l'art. 
650 7 |a PHOTOGRAPHY / Criticism.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Media Studies.  |2 bisacsh 
650 7 |a Feminism in art  |2 fast 
650 7 |a Portrait photography  |x Social aspects  |2 fast 
650 7 |a Self-presentation in art  |2 fast 
650 7 |a Transgender artists  |2 fast 
650 7 |a Transgender people in art  |2 fast 
650 7 |a Transgender women  |2 fast 
776 0 8 |i Print version:  |a Morse, Nicole Erin, 1987-  |t Selfie aesthetics.  |d Durham : Duke University Press, 2022  |z 9781478015512  |z 9781478018148  |w (DLC) 2021039223  |w (OCoLC)1264136673 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2drhcjw  |z Texto completo 
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