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Radical theatrics : put-ons, politics, and the sixties /

"From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alli...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Peariso, Craig J.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Seattle : University of Washington Press, [2014]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Peariso, Craig J. 
245 1 0 |a Radical theatrics :  |b put-ons, politics, and the sixties /  |c Craig J. Peariso. 
264 1 |a Seattle :  |b University of Washington Press,  |c [2014] 
300 |a 1 online resource (xi, 233 pages) 
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520 2 |a "From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective 'tolerance' masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the 'put-on'--the signature activist performance of the radical left--ended up becoming a valuable American political practice, one that continues to influence contemporary radicals such as Occupy Wall Street"--From publisher's website. 
504 |a Includes bibliographical references (pages 212-226) and index. 
505 0 |a Introduction: Stereotypes, opposition, and "the sixties" -- Monkey theater -- "Watch out for pigs in queen's clothing" : camp and the image of radical sexuality -- "Erect strong resilient and firm" : Eldridge Cleaver and the performance of "Black" liberation -- Afterword. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
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650 0 |a Radicalism  |x Social aspects  |z United States  |x History  |y 20th century. 
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650 0 |a Political activists  |z United States  |x History  |y 20th century. 
650 0 |a Art  |x Political aspects  |z United States  |x History  |y 20th century. 
650 0 |a Performing arts  |x Political aspects  |z United States  |x History  |y 20th century. 
650 0 |a Street theater  |x Political aspects  |z United States  |x History  |y 20th century. 
650 0 |a Political culture  |z United States  |x History  |y 20th century. 
650 0 |a Counterculture  |z United States  |x History  |y 20th century. 
651 0 |a United States  |x History  |y 1961-1969. 
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650 6 |a Arts du spectacle  |x Aspect politique  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Théâtre de rue  |x Aspect politique  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Contre-culture  |z États-Unis  |x Histoire  |y 20e siècle. 
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776 0 8 |i Print version:  |t Radical theatrics  |d Seattle : University of Washington Press, [2014]  |z 9780295994116 (hard cover : acid-free paper)  |w (DLC) 2014025249 
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