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In the bee latitudes /

In the Bee Latitudes, 'Annah Sobelman's second book, traverses and choreographs the places of passion where visible and invisible touch. With extraordinary ability to imagine her way far into an experience, making new moves in the English language at each and every point, Sobelman enlists...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sobelman, 'Annah
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2012.
Colección:New California poetry.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a In the bee latitudes /  |c 'Annah Sobelman. 
260 |a Berkeley :  |b University of California Press,  |c 2012. 
300 |a 1 online resource (93 p.) 
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504 |a Includes bibliographical references. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
505 0 |a Cover; Contents; PROEM; Structure -- Masolino's Eve -- The Female Snake; I; The Ghosts Are Different From the Love of Some Brains; In the Bee Latitudes; The Untitled; The Mess; Midnight Address from the President; Violence of Feathers; Ode to the Surfacing; If A Commandment; Dandelions for the Threnody; After Awhile; Summer; -- Fatigue; -- A Direction, Up; -- and A Spreading Out Unlawed; II (NOTES FROM INSIDE A DARK FOREST); for whomever whispers; delay is nevertheless; a persona of there you go; forest nightingale makes more; Quick Draft; fresh to make; oh pilgrim; see, it's the no horizon; III. 
505 8 |a I Felt a Fierce UnfreedomThe Concept Death Was Walking Around This Pill Sentence Structure; It Has Been Given Me To Understand Bats; No Unconceiving Cave; And I Do Desire Your Looking Back; It is Very Sculptural to Wake Up; The Be Thou Gaia Pastoral Air; Not On Its Own; Quick Draft 2; A Physics of Desire; In the Bee Latitudes 2; Curved Over the River; the haloes on the Barbizon night lanterns; Concerning the Ode to a Focus Then a Free Fall; Acknowledgments; Notes; My Thanks. 
520 |a In the Bee Latitudes, 'Annah Sobelman's second book, traverses and choreographs the places of passion where visible and invisible touch. With extraordinary ability to imagine her way far into an experience, making new moves in the English language at each and every point, Sobelman enlists many voices, questions, and bodies (mostly in Taos and Florence) that press toward Emersonian nature. In vibrant, malleable, and layered syntax, these poems break conventions of lineation and punctuation, each utterance at the frontier of the articulate, yet necessarily pitched toward the insistently visceral. 
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650 0 |a Conduct of life  |v Poetry. 
651 0 |a Florence (Italy)  |v Poetry. 
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