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How the West was sung : music in the Westerns of John Ford /
Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states tha...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©2007.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kalinak, Kathryn Marie, |d 1952- | |
| 245 | 1 | 0 | |a How the West was sung : |b music in the Westerns of John Ford / |c Kathryn Kalinak. |
| 260 | |a Berkeley : |b University of California Press, |c ©2007. | ||
| 300 | |a 1 online resource (x, 256 pages) | ||
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| 504 | |a Includes bibliographical references (pages 235-239) and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Acknowledgments; Introduction; 1. How the West Was Sung: Music in the Life and Films of John Ford; 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men; 3. "Based on American Folk Songs": Scoring the West in Stagecoach; 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance; 5. "Western as Hell": 3 Godfathers and Wagon Master; 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy; 7. "What Makes a Man to Wander": The Searchers; 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge. | |
| 520 | |a Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states that Ford used music as more than a stylistic gesture. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Ford, John, |d 1894-1973 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Ford, John, |d 1894-1973. |2 fast |0 (OCoLC)fst00037420 |
| 650 | 0 | |a Motion picture music |z United States |x History and criticism. | |
| 650 | 6 | |a Film, Musique de |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Motion picture music. |2 fast |0 (OCoLC)fst01027201 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01726252 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Motion pictures. |2 lcgft | |
| 655 | 7 | |a Films. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |t How the West was sung. |d Berkeley : University of California Press, ©2007 |z 9780520252332 |w (DLC) 2006037036 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1pnx6q |z Texto completo |
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