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|a UAMI
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100 |
1 |
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|a Manderson, Desmond.
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|a Songs without music :
|b aesthetic dimensions of law and justice /
|c Desmond Manderson.
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|a Berkeley, Calif. :
|b University of California Press,
|c ©2000.
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|a 1 online resource (xiii, 303 pages)
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|a data file
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1 |
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|a Philosophy, social theory, and the rule of law ;
|v 7
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|a Includes bibliographical references (pages 265-297) and index.
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|a Print version record and CIP data provided by publisher; resource not viewed.
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|a Preliminaries; Contents; Preface and Acknowledgments; Prelude; Fugue; Motet; Methodology; Requiem; Variations on a Theme; Quartet for the End of Time; Quodlibet; Notes; Bibliography; Index.
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|a In this pathbreaking and provocative analysis of the aesthetics of law, the historian, legal theorist, and musician Desmond Manderson argues that by treating a text, legal or otherwise, as if it were merely a sequence of logical propositions, readers miss its formal and symbolic meanings.
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650 |
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|a Law and aesthetics.
|
650 |
|
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|a Droit et esthétique.
|
650 |
|
7 |
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|2 bisacsh
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|2 bisacsh
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|a LAW
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|2 bisacsh
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|a PHILOSOPHY
|x Political.
|2 bisacsh
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|a Law and aesthetics
|2 fast
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|a Jurisprudence & general issues.
|2 thema
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|a Methods, theory & philosophy of law.
|2 thema
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|a Systems of law.
|2 thema
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|a Ethics & moral philosophy.
|2 thema
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|a Social & political philosophy.
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|a Law.
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|a Jura
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|i Print version:
|t Songs without music.
|d Berkeley, Calif. : University of California Press, ©2000
|z 0520216881
|w (DLC) 99038447
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830 |
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0 |
|a Philosophy, social theory, and the rule of law ;
|v 7.
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856 |
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