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Cultural netizenship : social media, popular culture, and performance in Nigeria /

How does social media activism in Nigeria intersect with online popular forms--from GIFs to memes to videos--and become shaped by the repressive postcolonial state that propels resistance to dominant articulations of power? James Yékú proposes the concept of "cultural netizenship"--inter...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Yeku, James (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2022]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Yeku, James,  |e author. 
245 1 0 |a Cultural netizenship :  |b social media, popular culture, and performance in Nigeria /  |c James Yékú. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (x, 278 pages) :  |b illustrations 
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520 |a How does social media activism in Nigeria intersect with online popular forms--from GIFs to memes to videos--and become shaped by the repressive postcolonial state that propels resistance to dominant articulations of power? James Yékú proposes the concept of "cultural netizenship"--internet citizenship and its aesthetico-cultural dimensions--as a way of being on the social web and articulating counter-hegemonic self-presentations through viral popular images. Yékú explores the cultural politics of protest selfies, Nollywood-derived memes and GIFs, hashtags, and political cartoons as visual texts for postcolonial studies, and he examines how digital subjects in Nigeria, a nation with one of the most vibrant digital spheres in Africa, deconstruct state power through performed popular culture on social media. As a rubric for the new digital genres of popular and visual expressions on social media, cultural netizenship indexes the digital everyday through the affordances of the participatory web. A fascinating look at the intersection of social media and popular culture performance, Cultural Netizenship reveals the logic of remediation that is central to both the internet's remix culture and the generative materialism of African popular arts. 
504 |a Includes bibliographical references and index 
505 0 |a 1. Afropolitan antiheroes and the performative politics of internet scambaiting -- 2. The memeification of Nollywood -- 3. Self-spectatoriality and the performance of political selves -- 4. Visualizing resistance and performing with the visual -- 5. Social media humor and carnivalesque aesthetics -- 6. Virality and instagram comedy in a state of pandemic -- Epilogue: Cultural Netizenship and the Praxis of Recovery 
588 |a Description based on online resource; title from digital title page (viewed on April 06, 2022). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Internet and activism  |z Nigeria. 
650 0 |a Internet  |x Social aspects  |z Nigeria. 
650 0 |a Politics and culture  |z Nigeria. 
650 0 |a Social media  |x Political aspects  |z Nigeria. 
651 0 |a Nigeria  |x Politics and government  |y 2007- 
650 6 |a Cybermilitantisme  |z Nigeria. 
650 6 |a Internet  |x Aspect social  |z Nigeria. 
650 6 |a Politique et culture  |z Nigeria. 
650 6 |a Médias sociaux  |x Aspect politique  |z Nigeria. 
651 6 |a Nigeria  |x Politique et gouvernement  |y 2007- 
650 7 |a SOCIAL SCIENCE / Media Studies  |2 bisacsh 
650 7 |a Internet and activism  |2 fast 
650 7 |a Internet  |x Social aspects  |2 fast 
650 7 |a Politics and culture  |2 fast 
650 7 |a Politics and government  |2 fast 
650 7 |a Social media  |x Political aspects  |2 fast 
651 7 |a Nigeria  |2 fast 
648 7 |a Since 2007  |2 fast 
776 0 8 |i Print version:  |a Yeku, James.  |t Cultural netizenship.  |d Bloomington, Indiana : Indiana University Press, [2022]  |z 0253060494  |w (OCoLC)1249629571 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2b29sw4  |z Texto completo 
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