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|d WAU
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|a 1295220584
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|a 1298852148
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|a 9781839980640
|q electronic book
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|a (OCoLC)1295241619
|z (OCoLC)1295220584
|z (OCoLC)1295223062
|z (OCoLC)1298852148
|z (OCoLC)1298882048
|z (OCoLC)1298935635
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|b JSTOR
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|a B3376.W564
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|a 809.9112
|2 23
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|a UAMI
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|a Chase, Greg,
|e author.
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|a Wittgenstein and modernist fiction :
|b the language of acknowledgment /
|c Greg Chase.
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|a London :
|b Anthem Press,
|c 2022.
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|c ©2022
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|a 1 online resource (viii, 239 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Anthem studies in Wittgenstein
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|a Includes bibliographical references and index.
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|a Introduction : Modernist philosophy and modernist fiction -- 1. "Who's 'we'?" : Claims to community in Forster's Howards End and Woolf's Mrs. Dalloway -- 2. "The silent soliloquy of others" : Wittgenstein's pursuit of acknowledgment -- 3. "To see with the same eyes" : Marriage and same-sex intimacy in Ford, Woolf, and Larsen -- 4. Fragmenting families, private language fantasies : Faulkner's The Sound and the Fury and As I Lay Dying -- 5. Seeing humans as humans : Wright's Black Boy and Ellison's Invisible Man -- Conclusion : Afterlives of acknowledgment.
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|a "Wittgenstein and Modernist Fiction: The Language of Acknowledgment shows how early twentieth-century economic and social upheaval prompted new ways of conceptualizing the purposes and powers of language. Scholars have long held that formally experimental novels written in the early twentieth century reflect how the period's material crises--from world wars to the spread of industrial capitalism--call into question the capacity of language to picture the world accurately. This book argues that this standard scholarly narrative tells only a partial story. Even as signal modernist works by Virginia Woolf, Nella Larsen, William Faulkner, and others move away from a view of language as a means of gaining knowledge, they also underscore its capacity to grant acknowledgment. They show how language might matter less as a medium for representing reality than as a tool for recognizing others."--
|c Provided by publisher.
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|a Greg Chase holds a PhD in English and American Literature from Boston University and teaches at the College of the Holy Cross.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Wittgenstein, Ludwig,
|d 1889-1951
|x Influence.
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|a Wittgenstein, Ludwig,
|d 1889-1951
|2 fast
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|a Modernism (Literature)
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|a Fiction
|y 20th century
|x History and criticism.
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650 |
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|a Literature
|x Philosophy.
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650 |
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|a Modernisme (Littérature)
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|a Fiction
|2 fast
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|a Influence (Literary, artistic, etc.)
|2 fast
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|a Literature
|x Philosophy
|2 fast
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|a Modernism (Literature)
|2 fast
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|a 1900-1999
|2 fast
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655 |
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|a Literary criticism
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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|a Literary criticism.
|2 lcgft
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|a Critiques littéraires.
|2 rvmgf
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776 |
0 |
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|a Chase, Greg.
|t Wittgenstein and modernist fiction.
|d London : Anthem Press, 2022
|z 183998063X
|w (OCoLC)1245344295
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830 |
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0 |
|a Anthem studies in Wittgenstein.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2902b1k
|z Texto completo
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938 |
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|a YBP Library Services
|b YANK
|n 302705671
|
938 |
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|a YBP Library Services
|b YANK
|n 302734588
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|a 92
|b IZTAP
|