Cargando…
Sound and sense in Franco-Flemish music of the Renaissance : sharps, flats, and the problem of 'musica ficta' /
"Accidentals in Renaissance music have long been a problem for performers and editors, for they are often not fully prescribed in Franco-Flemish music. In the 20th century, a set of 'rules of musica ficta' were assembled to describe performers' practice in the 15th and 16th centu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven ; Paris ; Bristol, CT :
Peeters,
2021.
|
| Colección: | Analysis in context ;
v. 7. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1293848902 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr mn||||||||| | ||
| 008 | 220127s2021 be ag ob 001 0 eng d | ||
| 040 | |a YDX |b eng |e rda |e pn |c YDX |d YDXIT |d JSTOR |d EBLCP |d N$T |d JHP |d OSU |d OCLCO |d OCLCQ |d OCLCF |d OCLCO | ||
| 019 | |a 1293253044 |a 1293295982 |a 1293481184 |a 1293651646 |a 1293775633 |a 1293895471 |a 1293931643 |a 1294123761 |a 1294137199 |a 1294147985 | ||
| 020 | |a 9789042945975 |q (electronic bk.) | ||
| 020 | |a 9042945974 |q (electronic bk.) | ||
| 020 | |z 9789042945968 |q (hardback) | ||
| 020 | |z 9042945966 |q (hardback) | ||
| 029 | 1 | |a AU@ |b 000072138926 | |
| 035 | |a (OCoLC)1293848902 |z (OCoLC)1293253044 |z (OCoLC)1293295982 |z (OCoLC)1293481184 |z (OCoLC)1293651646 |z (OCoLC)1293775633 |z (OCoLC)1293895471 |z (OCoLC)1293931643 |z (OCoLC)1294123761 |z (OCoLC)1294137199 |z (OCoLC)1294147985 | ||
| 037 | |a 22573/ctv289wx8h |b JSTOR | ||
| 050 | 4 | |a ML172 |b .U77 2021 | |
| 050 | 4 | |a ML174.U7 |b S6 2021e | |
| 082 | 0 | 4 | |a 780.9031 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Urquhart, Peter Whitney. | |
| 245 | 1 | 0 | |a Sound and sense in Franco-Flemish music of the Renaissance : |b sharps, flats, and the problem of 'musica ficta' / |c by Peter Urquhart. |
| 264 | 1 | |a Leuven ; |a Paris ; |a Bristol, CT : |b Peeters, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xxv, 598 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Analysis in context. Leuven studies in musicology ; |v volume 7 | |
| 520 | |a "Accidentals in Renaissance music have long been a problem for performers and editors, for they are often not fully prescribed in Franco-Flemish music. In the 20th century, a set of 'rules of musica ficta' were assembled to describe performers' practice in the 15th and 16th centuries, but the three primary rules contradict each other when applied to the repertory. The conflict forces one or more rules to be set aside in certain passages. Typically, modern editors sacrifice the linear rule in favor of harmonic aspects. The modern preference relies on a medieval concept--the exclusion of mi contra fa--which the author challenges. When the prohibition against mi contra fa is removed from singers' concerns, and understood as a rule aimed at composers--one they took delight in breaking at times--a proper balance between the three rules is regained, and an incisive and expanded harmonic world is revealed."--Publisher's description | ||
| 504 | |a Includes bibliographical references (pages 571-589) and indexes. | ||
| 505 | 0 | |a Theorists on musica ficta and solmization -- Linear and melodic aspects -- Contrapuntal and cadential aspects -- Harmonic aspects -- Canonic works -- A few hard problems -- Conclusions and recommendations ; an epilogue. | |
| 588 | 0 | |a Print version record | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Music |y 16th century |x History and criticism. | |
| 650 | 0 | |a Musica ficta. | |
| 650 | 0 | |a Music theory |x History |y 16th century. | |
| 650 | 0 | |a Music |y 15th century |x History and criticism. | |
| 650 | 0 | |a Music theory |x History |y 15th century. | |
| 650 | 6 | |a Musique |y 15e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musica ficta. | |
| 650 | 6 | |a Théorie musicale |x Histoire |y 15e siècle. | |
| 650 | 6 | |a Musique |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théorie musicale |x Histoire |y 16e siècle. | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music theory |2 fast | |
| 650 | 7 | |a Musica ficta |2 fast | |
| 648 | 7 | |a 1500-1599 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9042945966 |z 9789042945968 |w (OCoLC)1292704051 |
| 830 | 0 | |a Analysis in context ; |v v. 7. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv28bqkt4 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6868465 | ||
| 938 | |a EBSCOhost |b EBSC |n 3153480 | ||
| 938 | |a YBP Library Services |b YANK |n 17801296 | ||
| 994 | |a 92 |b IZTAP | ||