Cargando…
Migrants' Perspectives, Migrants in Perspective World Cinema.
Analyses how migrants are portrayed in film from different viewpoints.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2021.
|
| Colección: | Film, media, and cultural studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- CONTENTS
- FIGURES
- 1. MIGRANTS' PERSPECTIVES, MIGRANTS IN PERSPECTIVE: WORLD CINEMA, AN INTRODUCTION
- PART I MIGRANTS' PERSPECTIVE
- 2. MIGRANTS AND REFUGEES IN MOVING IMAGE CONTEMPORARY ART: GHAZEL'S "HOME (STORIES)" (2008) AND BOUCHRA KHALILI'S "THE MAPPING JOURNEY PROJECT" (2008-11)
- 3. FORCED MIGRATION AND FANTASIES OF RETURN IN PALESTINIAN CINEMA: WHEN I SAW YOU (ANNEMARIE JACIR, 2012) AND GATE OF THE SUN (YOUSRY NASRALLAH, 2003)
- 4. DISPLACEMENT AND THE VICISSITUDES OF PAN-ARABISM: BETWEEN THE DUPES (TEWFIK SALEH, 1972) AND IN THE LAST DAYS OF THE CITY (TAMER EL SAID, 2016)
- 5. STILL/MOVING: AN ANALYSIS OF RECENT FILMS ABOUT TRANSNATIONAL MIGRATION FROM CENTRAL AMERICA TO THE USA
- 6. JAPANESE IMMIGRANT IDENTITIES ON THE BRAZILIAN SCREEN: GAIJIN: OS CAMINHOS DA LIBERDADE (TIZUKA YAMASAKI, 1983) AND CORAÇÕES SUJOS (VICENTE AMORIM, 2011)
- PART II MIGRANTS IN PERSPECTIVE
- 7. COMMUNITARIAN VERSUS HUMANITARIAN FORCES IN THE DARDENNE BROTHERS' LA PROMESSE (1996) AND LE SILENCE DE LORNA (2008)
- 8. THIS IS NOT PARADISE AND THE JOURNEY WAS NOT WORTH IT: GLOBALIZATION, FINANCIAL CRISIS, AND THE PORTRAYAL OF THE SUB-SAHARAN IMMIGRANT IN TWO SPANISH FILMS
- 9. MOBILITY CONSTRAINED AND ENABLED BY GENDER: THE IN-TRANSIT AFRICAINE OF HOPE (BORIS LOJKINE, 2014)
- 10. UN/DOCUMENTED MIGRATION IN "BORDERLAND SCHENGEN"
- 11. CIRCULATING IMAGES OF DEATH: FESTIVAL FILMS AND THE SYRIAN REFUGEE CRISIS
- THE CONTRIBUTORS
- INDEX