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220124s2021 stk o ||| 0 eng d |
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|a EBLCP
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|c EBLCP
|d UKAHL
|d N$T
|d OCLCO
|d JSTOR
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|a 020226774
|2 Uk
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|a 1289818349
|a 1324651815
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|a 1474456782
|q (electronic bk.)
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|a 9781474456784
|q (electronic bk.)
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|z 9781474456760
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|a 9781474456791
|q (ePub ebook)
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|a 1474456790
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|a 10.1515/9781474456784.
|2 doi
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|a AU@
|b 000070668129
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|a UKMGB
|b 020226774
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|a (OCoLC)1293246507
|z (OCoLC)1289818349
|z (OCoLC)1324651815
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|a 22573/ctv281jcb1
|b JSTOR
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|a PN1995.9.E44
|b M54 2021
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|a PER004010.
|2 bisacsh
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|a 791.436526912
|2 23
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|a UAMI
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|a Wallenbrock, Nicole Beth.
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|a Migrants' Perspectives, Migrants in Perspective
|h [electronic resource] :
|b World Cinema.
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|a Edinburgh :
|b Edinburgh University Press,
|c 2021.
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|a 1 online resource (273 p.).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Film, Media and Cultural Studies
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|a Description based upon print version of record.
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|a Analyses how migrants are portrayed in film from different viewpoints.
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|t Frontmatter --
|t CONTENTS --
|t FIGURES --
|t 1. MIGRANTS' PERSPECTIVES, MIGRANTS IN PERSPECTIVE: WORLD CINEMA, AN INTRODUCTION --
|t PART I MIGRANTS' PERSPECTIVE --
|t 2. MIGRANTS AND REFUGEES IN MOVING IMAGE CONTEMPORARY ART: GHAZEL'S "HOME (STORIES)" (2008) AND BOUCHRA KHALILI'S "THE MAPPING JOURNEY PROJECT" (2008-11) --
|t 3. FORCED MIGRATION AND FANTASIES OF RETURN IN PALESTINIAN CINEMA: WHEN I SAW YOU (ANNEMARIE JACIR, 2012) AND GATE OF THE SUN (YOUSRY NASRALLAH, 2003) --
|t 4. DISPLACEMENT AND THE VICISSITUDES OF PAN-ARABISM: BETWEEN THE DUPES (TEWFIK SALEH, 1972) AND IN THE LAST DAYS OF THE CITY (TAMER EL SAID, 2016) --
|t 5. STILL/MOVING: AN ANALYSIS OF RECENT FILMS ABOUT TRANSNATIONAL MIGRATION FROM CENTRAL AMERICA TO THE USA --
|t 6. JAPANESE IMMIGRANT IDENTITIES ON THE BRAZILIAN SCREEN: GAIJIN: OS CAMINHOS DA LIBERDADE (TIZUKA YAMASAKI, 1983) AND CORAÇÕES SUJOS (VICENTE AMORIM, 2011) --
|t PART II MIGRANTS IN PERSPECTIVE --
|t 7. COMMUNITARIAN VERSUS HUMANITARIAN FORCES IN THE DARDENNE BROTHERS' LA PROMESSE (1996) AND LE SILENCE DE LORNA (2008) --
|t 8. THIS IS NOT PARADISE AND THE JOURNEY WAS NOT WORTH IT: GLOBALIZATION, FINANCIAL CRISIS, AND THE PORTRAYAL OF THE SUB-SAHARAN IMMIGRANT IN TWO SPANISH FILMS --
|t 9. MOBILITY CONSTRAINED AND ENABLED BY GENDER: THE IN-TRANSIT AFRICAINE OF HOPE (BORIS LOJKINE, 2014) --
|t 10. UN/DOCUMENTED MIGRATION IN "BORDERLAND SCHENGEN" --
|t 11. CIRCULATING IMAGES OF DEATH: FESTIVAL FILMS AND THE SYRIAN REFUGEE CRISIS --
|t THE CONTRIBUTORS --
|t INDEX
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Immigrants in motion pictures.
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650 |
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|a Immigrants in motion pictures
|2 fast
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700 |
1 |
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|a Jacob, Frank.
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776 |
0 |
8 |
|i Print version:
|a Wallenbrock, Nicole Beth
|t Migrants' Perspectives, Migrants in Perspective
|d Edinburgh : Edinburgh University Press,c2021
|z 9781474456760
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830 |
|
0 |
|a Film, media, and cultural studies.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv282jkcv
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH38804377
|
938 |
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|a YBP Library Services
|b YANK
|n 17835236
|
938 |
|
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|a ProQuest Ebook Central
|b EBLB
|n EBL6859512
|
938 |
|
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|a Askews and Holts Library Services
|b ASKH
|n AH38804376
|
938 |
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|a EBSCOhost
|b EBSC
|n 3147475
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994 |
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|a 92
|b IZTAP
|