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Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power /

"In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street d...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mann, Larisa Kingston (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : University of North Carolina Press, [2022]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Mann, Larisa Kingston,  |e author. 
245 1 0 |a Rude citizenship :  |b Jamaican popular music, copyright, and the reverberations of colonial power /  |c Larisa Kingston Mann. 
264 1 |a Chapel Hill :  |b University of North Carolina Press,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (228 pages) 
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504 |a Includes bibliographical references and index. 
520 |a "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--  |c Provided by publisher. 
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650 0 |a Copyright  |x Music  |z Jamaica. 
650 0 |a Music trade  |z Jamaica. 
650 0 |a Popular music  |x Social aspects  |z Jamaica  |x History. 
650 0 |a Popular music  |z Jamaica  |x History and criticism. 
650 0 |a Music and race  |z Jamaica. 
650 6 |a Droit d'auteur  |x Musique  |z Jamaïque. 
650 6 |a Musique  |x Industrie  |z Jamaïque. 
650 6 |a Musique populaire  |x Aspect social  |z Jamaïque  |x Histoire. 
650 6 |a Musique populaire  |z Jamaïque  |x Histoire et critique. 
650 6 |a Musique et race  |z Jamaïque. 
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650 7 |a Music and race  |2 fast 
650 7 |a Popular music  |x Social aspects  |2 fast 
650 7 |a Popular music  |2 fast 
650 7 |a Music trade  |2 fast 
650 7 |a Copyright  |x Music  |2 fast 
651 7 |a Jamaica  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Mann, Larisa Kingston.  |t Rude citizenship.  |d Chapel Hill : University of North Carolina Press, [2022]  |z 9781469667232  |w (DLC) 2021041590  |w (OCoLC)1266203998 
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