Cargando…
Why the assembly disbanded /
"Pushing the boundaries of Latinx literature and what constitutes a borderlands poetics Throughout Roberto Tejada's body of work, the renowned poet and celebrated critic has explored themes of Latinx culture, politics, history, language, and ecologies. In his latest collection, Why the Ass...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
2022.
|
| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1291876599 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 211104t20222022nyu o 000 p eng d | ||
| 040 | |a P@U |b eng |e rda |e pn |c P@U |d EBLCP |d YDX |d OCLCO |d DEGRU |d OCLCO |d JSTOR |d OCLCQ |d OCLCO |d OCLCQ |d UKAHL |d OCL |d OCLCQ |d N$T |d OCLCO | ||
| 019 | |a 1292357233 |a 1355509334 | ||
| 020 | |a 9780823299270 |q (electronic bk.) | ||
| 020 | |a 9780823299263 |q (electronic bk.) | ||
| 020 | |a 0823299260 |q (electronic bk.) | ||
| 020 | |a 0823299279 |q (electronic bk.) | ||
| 020 | |z 9780823299256 | ||
| 020 | |z 0823299252 | ||
| 035 | |a (OCoLC)1291876599 |z (OCoLC)1292357233 |z (OCoLC)1355509334 | ||
| 037 | |a 22573/ctv2787b9h |b JSTOR | ||
| 050 | 4 | |a PS3570.E435 |b W49 2022 | |
| 082 | 0 | 4 | |a 811/.54 |2 23/eng/20230124 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Tejada, Roberto, |e author. | |
| 245 | 1 | 0 | |a Why the assembly disbanded / |c Roberto Tejada. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York : |b Fordham University Press, |c 2022. | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (1 volume) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a "Pushing the boundaries of Latinx literature and what constitutes a borderlands poetics Throughout Roberto Tejada's body of work, the renowned poet and celebrated critic has explored themes of Latinx culture, politics, history, language, and ecologies. In his latest collection, Why the Assembly Disbanded, he presents a unique contribution to Latinx letters that reflects on the relations between the U.S. and Latin America, especially their real and symbolic borderlands. Immersive, postmodern, and philosophical, Why the Assembly Disbanded provides an associative, critical Latinx aesthetic connecting the Mexico-U.S. borderlands to Latin America's neo-baroque heritage. Migrants, settlers, tourists, and exiles moving across various hemispheric landscapes are featured in these exuberant, capacious, and self-reflexive poems. Tejada relates the ravages of white supremacy in our culture that, together with immigrant precarity, turn home into a place of foreboding and impending eviction, even as a dream-weather makes room at last for scenes of possibility and attainment in the account of human history. The sweeping futuristic vista gives on to narratives of colonial extraction, human displacement, abuses of capitalism, mass media spectacle, the antagonism of language and technical images in the sensorium of urban and digital life-worlds, and the relations of desire encouraged by pictures and words in the economy of attention. Los Angeles and Mexico City figure prominently in poems committed to voicing modes of formation and community in an intersectional reckoning of personhoods prompted in work by artists Betye Saar, Amiri Baraka, Connie Samaras, and Ruben Ortiz Torres. With language given to pageantry, tonal precision, and a hopeful lyric radiance that can accommodate ecstasy and justice, Roberto Tejada's carnivalesque, borderland imagery pushes the boundaries of Latinx literature. World building by way of reverie, speculation, and retro-futurist tableaux, and with vivid, sometimes violent particularity, his poems enact hallucinatory realities of the hemisphere; an imagination that triangulates history, lyricism, and art as social practice"-- |c Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 24, 2022). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t 1. Society of Alternate Belonging -- |t 2. Amend, Delay, Curve, and Disquiet -- |t 3. Kill Time Objective -- |t List of Illustrations -- |t Notes -- |t Acknowledgments |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a American poetry |x Hispanic American authors. | |
| 650 | 6 | |a Poésie américaine |x Auteurs américains d'origine latino-américaine. | |
| 650 | 7 | |a POETRY |x General. |2 bisacsh | |
| 650 | 7 | |a American poetry |x Hispanic American authors |2 fast | |
| 655 | 2 | |a Poetry | |
| 655 | 7 | |a poetry. |2 aat | |
| 655 | 7 | |a Poetry |2 fast | |
| 655 | 7 | |a Poetry. |2 lcgft | |
| 655 | 7 | |a Poésie. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Tejada, Roberto. |t Why the Assembly Disbanded. |d New York : Fordham University Press, ©2022 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv279508p |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 302666557 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39826543 | ||
| 938 | |a De Gruyter |b DEGR |n 9780823299270 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6868463 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_98870 | ||
| 938 | |a EBSCOhost |b EBSC |n 2965582 | ||
| 994 | |a 92 |b IZTAP | ||