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|a UAMI
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|a Green-Simms, Lindsey B.,
|d 1978-
|e author.
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|a Queer African cinemas /
|c Lindsey B. Green-Simms.
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|a Durham :
|b Duke University Press,
|c 2022.
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|a 1 online resource (xiii, 250 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a A Camera Obscura book
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|a Includes bibliographical references and index.
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|a Registering Resistance: The Pluralities and Possibilities of Queer African Cinemas -- Making Waves: Queer Eccentricity and West African Wayward Women -- Touching Nollywood: From Negation to Negotiation in Queer Nigerian Cinema -- Cutting Masculinities: Post-Apartheid South African Cinema -- Holding Space, Saving Joy: Queer Love and Critical Resilience in East Africa -- Coda: Queer Cinema's Destiny (a view from 2020).
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|a "In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing anti-queer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance-contrary to traditional narratives about resistance that center overt and heroic struggle-is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival"--
|c Provided by publisher
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|a Online resource; title from PDF title page (JSTOR platform, viewed January 24, 2023).
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified]:
|c HathiTrust Digital Library.
|d 2022.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2022.
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Homosexuality in motion pictures.
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|a Homosexuality and motion pictures
|z Africa.
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|a Gays in motion pictures.
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|a Motion pictures
|z Africa
|x History and criticism.
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|a Homosexualité au cinéma.
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|a Homosexuels au cinéma.
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|a PERFORMING ARTS
|x Film
|x History & Criticism.
|2 bisacsh
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|a SOCIAL SCIENCE
|x LGBTQ Studies
|x General.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Gays in motion pictures
|2 fast
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|a Homosexuality and motion pictures
|2 fast
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|a Homosexuality in motion pictures
|2 fast
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|a Motion pictures
|2 fast
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|a Africa
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Film criticism
|2 fast
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|a Film criticism.
|2 lcgft
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|a Critiques cinématographiques.
|2 rvmgf
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|i Print version:
|a Green-Simms, Lindsey B., 1978-
|t Queer African cinemas.
|d Durham : Duke University Press, 2022
|z 9781478015406
|z 9781478018018
|w (DLC) 2021022864
|w (OCoLC)1245344209
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830 |
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|a Camera obscura book (Duke University Press)
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2bgz3dq
|z Texto completo
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