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211214s2022 mnu ob 000 0 eng d |
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|a 1288272731
|a 1288319680
|a 1288370590
|a 1289370218
|a 1290020171
|a 1303478974
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|a 9781506481760
|q (electronic bk.)
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|a 1506481760
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|z 1506481752
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|a (OCoLC)1288408632
|z (OCoLC)1288272731
|z (OCoLC)1288319680
|z (OCoLC)1288370590
|z (OCoLC)1289370218
|z (OCoLC)1290020171
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|a 22573/ctv1x3kjbk
|b JSTOR
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|a 251
|2 23
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|a UAMI
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|a Wangerin, Walter,
|e author.
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|a Storycraft :
|b the art of spiritual narrative /
|c Walter Wangerin, Jr. ; foreword by Frederick Niedner.
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|a Minneapolis :
|b Fortress Press :
|b 1517 Media,
|c ©2022.
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|a 1 online resource (xii, 154 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Includes bibliographical references.
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|a In Storycraft: The Art of Spiritual Narrative, celebrated author Walter Wangerin Jr. illustrates the power of well-told stories and shows how important embracing story is as an essential tool for preaching and teaching the gospel. The book offers a theology of story that is profoundly incarnational as the Word takes on flesh in practiced speech. In Storycraft, renowned author Walter Wangerin Jr. explores the power of narrative and storytelling to impact message, messenger, and hearer. Through preaching and teaching, the gospel comes alive--is incarnated--in the words, actions, and stories we tell. Well-crafted stories shape the relationship between tellers and listeners, between preachers and people. And in the telling, trust is established, faith is formed, and lives change.
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|a Prologue : Preliminary comments -- Part I. The effect of a told story. -- How children and adults enter the story -- Lily -- What does faith have to do with it? -- Right ways ans wrong ways to tell a children's story -- Naming I -- Naming II -- Part II. To build a story. -- Composing a story step by step -- Making our stories feel real -- Spiritual preparation -- Part III. Six sorts of stories. -- Stories of illustration -- Stories about the presence and the work of a transforming God -- Personal histories -- Factual historical stories -- The Jewish haggadah -- Stories that compose an entire sermon -- Part IV. Theatrics. -- Theatrical preachers in the past -- Motion meaning I -- Motion and meaning II -- The entrance -- Preacher as actor, sermon as play script.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Narrative preaching.
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650 |
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|a Storytelling.
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|a Prédication narrative.
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|a Art de conter.
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|a Narrative preaching.
|2 fast
|0 (OCoLC)fst01033060
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|a Storytelling.
|2 fast
|0 (OCoLC)fst01134169
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|i Print version:
|z 1506481752
|z 9781506481753
|w (OCoLC)1264275608
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1x6781t
|z Texto completo
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|a BATCHLOAD
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|a Askews and Holts Library Services
|b ASKH
|n AH39236502
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|a ProQuest Ebook Central
|b EBLB
|n EBL6826286
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|a EBSCOhost
|b EBSC
|n 3121353
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|a Project MUSE
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