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Black Ephemera : The Crisis and Challenge of the Musical Archive /
"A framework for understanding the deep archive of Black performance in the digital eraIn an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams's 1916 silent fi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
New York University Press,
[2022]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1288213179 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr mn----uuuuu | ||
| 008 | 211211s2022 nyu o 001 0 eng d | ||
| 040 | |a EBLCP |b eng |c EBLCP |d DEGRU |d YDX |d OCLCF |d OCLCO |d UCW |d OCLCQ |d P@U |d JSTOR |d OCL |d OCLCO | ||
| 019 | |a 1287129796 |a 1303540823 | ||
| 020 | |a 9781479806935 |q (electronic bk.) | ||
| 020 | |a 1479806935 |q (electronic bk.) | ||
| 035 | |a (OCoLC)1288213179 |z (OCoLC)1287129796 |z (OCoLC)1303540823 | ||
| 037 | |a 22573/cats1077319 |b JSTOR | ||
| 050 | 0 | 0 | |a ML3556 |b .N38 2022 |
| 082 | 0 | 4 | |a 780.8996/073 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Neal, Mark Anthony. | |
| 245 | 1 | 0 | |a Black Ephemera : |b The Crisis and Challenge of the Musical Archive / |c Mark Anthony Neal |
| 264 | 1 | |a New York : |b New York University Press, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (225 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Description based upon print version of record. | ||
| 500 | |a Includes index | ||
| 505 | 0 | 0 | |g Introduction. |t The Crisis and the Challenge of the Archive -- |t Love in the Stax : Death, Loss, and Resurrection in Post-King Memphis -- |t "I Got the Blues of a Fallen Teardrop" : Erasure, Trauma, and a Sonic Archive of Black Women -- |t "Promise That You Will [Tweet] about Me" : Black Death in the Digital Era -- |t "I'll Be a Bridge" : Black Interiority, Black Invention, and the American Songbook -- |t Decamping Wakanda : The Archive as Maroon -- |g Coda. |t Writing and Living with Black Ephemera. |
| 520 | |a "A framework for understanding the deep archive of Black performance in the digital eraIn an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams's 1916 silent film short "A Natural Born Gambler" or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital. Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world." -- |c Provided by the publisher. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a African Americans |x Archival resources. | |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 650 | 0 | |a Popular music |z United States |x History and criticism. | |
| 650 | 0 | |a Sound recording industry |z United States. | |
| 650 | 6 | |a Noirs américains |x Fonds d'archives. | |
| 650 | 6 | |a Musique populaire |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Enregistrements sonores |x Industrie |z États-Unis. | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies. |2 bisacsh | |
| 650 | 7 | |a African Americans |x Archival resources |2 fast | |
| 650 | 7 | |a African Americans |x Music |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Sound recording industry |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a Music criticism and reviews |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Music criticism and reviews. |2 lcgft | |
| 655 | 7 | |a Comptes rendus de musique. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Neal, Mark Anthony |t Black Ephemera |d New York : New York University Press,c2022 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/jj.1094290 |z Texto completo |
| 938 | |a Project MUSE |b MUSE |n musev2_111062 | ||
| 938 | |a De Gruyter |b DEGR |n 9781479806935 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6811029 | ||
| 938 | |a YBP Library Services |b YANK |n 302532710 | ||
| 994 | |a 92 |b IZTAP | ||