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The music of James Tenney. Volume 1, Contexts and paradigms /
"Robert Wannamaker's two-volume study explores the influential music and ideas of American composer, theorist, writer, performer, and educator James Tenney. Delving into the whole of Tenney's oeuvre, Wannamaker provides in-depth, aurally grounded analyses of works linked to the artist...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2021]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | JSTOR_on1286366894 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 211126t20212021iluag ob 001 0 eng d | ||
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| 019 | |a 1286300503 |a 1286312045 |a 1286344722 | ||
| 020 | |a 9780252052569 |q electronic book | ||
| 020 | |a 0252052560 |q electronic book | ||
| 020 | |z 9780252043673 | ||
| 020 | |z 0252043677 | ||
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| 035 | |a (OCoLC)1286366894 |z (OCoLC)1286300503 |z (OCoLC)1286312045 |z (OCoLC)1286344722 | ||
| 037 | |a 22573/ctv23wg0x2 |b JSTOR | ||
| 050 | 4 | |a ML410.T3215 |b W36 2021 | |
| 082 | 0 | 4 | |a 780.92 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Wannamaker, Rob, |e author. | |
| 245 | 1 | 4 | |a The music of James Tenney. |n Volume 1, |p Contexts and paradigms / |c Robert Wannamaker. |
| 246 | 3 | 0 | |a Contexts and paradigms |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2021] | |
| 264 | 4 | |c Ã2021 | |
| 300 | |a 1 online resource (xvi, 319 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Early works and influences (1934-59) -- Tape music and "Meta/hodos" (1959-61) -- Computer music and ergodicity (1961-64) -- Performance and the social (1964-68) -- Process and continuity (1969-71) -- Interlude : harmonic theory -- Canons and the harmonic series (1972-79) -- Harmonic spaces (1980-85) -- Transition and tradition (1986-94) -- Spectra and diaphony (1994-2006) -- A tradition of experimentation -- Appendix A. Acoustics, sensation, and logarithmic models -- Appendix B. Spectrographic analysis. | |
| 520 | |a "Robert Wannamaker's two-volume study explores the influential music and ideas of American composer, theorist, writer, performer, and educator James Tenney. Delving into the whole of Tenney's oeuvre, Wannamaker provides in-depth, aurally grounded analyses of works linked to the artist's revolutionary theories of musical form, timbre, and harmonic perception. Volume 1, Contexts and Paradigms, chronologically surveys Tenney's creative development and output. Each section begins with biographical, aesthetic, and technical context that illuminates a distinct period in Tenney's career. Wannamaker then analyzes a small number of pieces that illuminate the concerns, characteristics, and techniques that emerged in Tenney's music during that time. He supplements the text with musical examples, graphs, and diagrams while also drawing on unpublished material and newly available primary sources to flesh out each work and the ideas that shaped it. Written as a reference work, Volume 2, A Handbook to the Pieces, presents detailed entries on Tenney's significant post-1959 experimental works (excepting pieces covered in Volume 1). It includes technical information, an analysis of intentions and goals, graphs and musical examples, historical and biographical context, and thoughts from Tenney and others on specific works. Throughout, Wannamaker discusses the compositional ideas found in Tenney's music and, where appropriate, traces an idea's appearance from one piece to the next to reveal the evolution of the composer's art and thought"-- |c Provided by publisher | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on September 05, 2023). | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Tenney, James |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Tenney, James |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Tenney, James. |2 fast |0 (OCoLC)fst00140336 |
| 650 | 0 | |a Music |y 20th century |x History and criticism. | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Wannamaker, Rob. |t Music of James Tenney. Volume 1, Contexts and paradigms. |d Champaign : University of Illinois Press, 2021 |z 9780252043673 |w (OCoLC)1285694176 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/j.ctv23xmqww |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6810078 | ||
| 938 | |a EBSCOhost |b EBSC |n 2903190 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_94495 | ||
| 938 | |a YBP Library Services |b YANK |n 302596010 | ||
| 994 | |a 92 |b IZTAP | ||