Prints as agents of global exchange : 1500-1800 /

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The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Eu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Madar, Heather (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2021]
Colección:Visual and material culture, 1300-1700.
Temas:
Prints > History.
Prints > Technique > History.
Estampe > Histoire.
Estampe > Technique > Histoire.
History of art and design styles: c 1600 to c 1800.
Prints and printmaking.
Social and cultural history.
ART / Prints.
HISTORY / Modern / General.
HISTORY / Social History.
SOCIAL SCIENCE / Media Studies.
Prints.
Prints > Technique.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Figure 4 The Martyrdom of Saint Cecilia, a close copy of an engraving by Jerome [Hieronymus] Wierix (Netherlandish, c. 1553-1619). Artist: Nini. South Asia, Mughal, first half of the 17th century. Opaque watercolor and gold on paper. Victoria and Albert
  • Figure 5 The Annunciation, from a Mirror of Holiness (Mir'at al-quds) of Father Jerome Xavier, made for Prince Salim (later the emperor Jahangir). South Asia, Mughal, 1602-1604. Opaque watercolor and gold on paper
  • page: 26.2 × 15.4 cm (10 5/16 × 6 1/16 i
  • Figure 2 Pietas Regia, the second title page from the first volume of Plantiin Biblia Sacra (also known as the Polyglot Bible). Printed by Christopher Plantiin in Antwerp between 1568-72. Newberry Digital Collections (Newberry Library)
  • Figure 3 A female figure standing in a landscape holding a four-stringed "khuuchir" and a lotus, South Asia, Mughal, late 16th century (c. 1590). Opaque watercolor with gold on paper, mounted with borders of gold-decorated cream and blue paper
  • page: 31.6
  • List of illustrations
  • 1 Concealing and Revealing the Female Body in EuropeanPrints and Mughal Paintings
  • Figure 1 A Celestial Woman Attendant with a Vina (Stringed Instrument). Artist/maker unknown. 956-973, Sandstone, 25 1/8 × 10 1/2 × 7 1/4 inches (63.8 × 26.7 × 18.4 cm). Philadelphia Museum of Art, Purchased from the Stella Kramrisch Collection with funds
  • 5. The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties
  • Yoshimi Orii
  • 6 .(Re)framing the Virgin of Guadalupe: The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin
  • Raphaele Preisinger
  • 7. Hidden Resemblances: Re-contextualized and Re-framed: Diego de Valades' Cross Cultural Exchange
  • Linda Báez and Emilie Carreón
  • 8. The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru
  • Alexandre Ragazzi
  • 9. Ink and Feathers: Prints, Printed Books, and Mexican Featherwork
  • Corinna T. Gallori
  • Index
  • Cover
  • Table of Contents
  • Introduction
  • Heather Madar
  • 1. Concealing and Revealing the Female Body in European Prints and Mughal Paintings
  • Saleema Waraich
  • 2. The Sultan's Face Looks East and West: European Prints and Ottoman Sultan Portraiture
  • Heather Madar
  • 3 From Europe to Persia and Back Again: Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter
  • Kristel Smentek
  • 4. The Dissemination of Western European Prints Eastward: The Armenian Case
  • Sylvie L. Merian

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