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Prints as agents of global exchange : 1500-1800 /
The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Eu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2021]
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| Colección: | Visual and material culture, 1300-1700.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Madar, Heather, |e author. | |
| 245 | 1 | 0 | |a Prints as agents of global exchange : |b 1500-1800 / |c Heather Madar. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
| 300 | |a 1 online resource (324 pages) | ||
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| 490 | 1 | |a Visual and Material Culture, 1300-1700 Ser. | |
| 588 | 0 | |a Print version record. | |
| 500 | |a Figure 6 Detail from the birth of Timur, from an imperial copy of Abul Fazl's Akbarnama, (Vol. I). South Asia, Mughal, c. 1602. Painting ascribed to Surdas Gujarati. Opaque watercolors with gold on paper. © The British Library Board (Or. 12988.f.34v). | ||
| 520 | |a The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Persia, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the transmission of knowledge, both written and visual, between Europe and the rest of the world by means of prints in the early modern period. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on November 29, 2021). | |
| 505 | 0 | |a Figure 4 The Martyrdom of Saint Cecilia, a close copy of an engraving by Jerome [Hieronymus] Wierix (Netherlandish, c. 1553-1619). Artist: Nini. South Asia, Mughal, first half of the 17th century. Opaque watercolor and gold on paper. Victoria and Albert -- Figure 5 The Annunciation, from a Mirror of Holiness (Mir'at al-quds) of Father Jerome Xavier, made for Prince Salim (later the emperor Jahangir). South Asia, Mughal, 1602-1604. Opaque watercolor and gold on paper -- page: 26.2 × 15.4 cm (10 5/16 × 6 1/16 i | |
| 505 | 0 | |a Figure 2 Pietas Regia, the second title page from the first volume of Plantiin Biblia Sacra (also known as the Polyglot Bible). Printed by Christopher Plantiin in Antwerp between 1568-72. Newberry Digital Collections (Newberry Library) -- Figure 3 A female figure standing in a landscape holding a four-stringed "khuuchir" and a lotus, South Asia, Mughal, late 16th century (c. 1590). Opaque watercolor with gold on paper, mounted with borders of gold-decorated cream and blue paper -- page: 31.6 | |
| 505 | 0 | |a List of illustrations -- 1 Concealing and Revealing the Female Body in EuropeanPrints and Mughal Paintings -- Figure 1 A Celestial Woman Attendant with a Vina (Stringed Instrument). Artist/maker unknown. 956-973, Sandstone, 25 1/8 × 10 1/2 × 7 1/4 inches (63.8 × 26.7 × 18.4 cm). Philadelphia Museum of Art, Purchased from the Stella Kramrisch Collection with funds | |
| 505 | 0 | |a 5. The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties -- Yoshimi Orii -- 6 .(Re)framing the Virgin of Guadalupe: The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin -- Raphaele Preisinger -- 7. Hidden Resemblances: Re-contextualized and Re-framed: Diego de Valades' Cross Cultural Exchange -- Linda Báez and Emilie Carreón -- 8. The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru -- Alexandre Ragazzi -- 9. Ink and Feathers: Prints, Printed Books, and Mexican Featherwork -- Corinna T. Gallori -- Index | |
| 505 | 0 | |a Cover -- Table of Contents -- Introduction -- Heather Madar -- 1. Concealing and Revealing the Female Body in European Prints and Mughal Paintings -- Saleema Waraich -- 2. The Sultan's Face Looks East and West: European Prints and Ottoman Sultan Portraiture -- Heather Madar -- 3 From Europe to Persia and Back Again: Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter -- Kristel Smentek -- 4. The Dissemination of Western European Prints Eastward: The Armenian Case -- Sylvie L. Merian | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Prints |x History. | |
| 650 | 0 | |a Prints |x Technique |x History. | |
| 650 | 6 | |a Estampe |x Histoire. | |
| 650 | 6 | |a Estampe |x Technique |x Histoire. | |
| 650 | 7 | |a History of art and design styles: c 1600 to c 1800. |2 bicssc | |
| 650 | 7 | |a Prints and printmaking. |2 bicssc | |
| 650 | 7 | |a Social and cultural history. |2 bicssc | |
| 650 | 7 | |a ART / Prints. |2 bisacsh | |
| 650 | 7 | |a HISTORY / Modern / General. |2 bisacsh | |
| 650 | 7 | |a HISTORY / Social History. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies. |2 bisacsh | |
| 650 | 7 | |a Prints. |2 fast |0 (OCoLC)fst01076812 | |
| 650 | 7 | |a Prints |x Technique. |2 fast |0 (OCoLC)fst01076838 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Madar, Heather. |t Prints As Agents of Global Exchange. |d Amsterdam : Amsterdam University Press, ©2021 |
| 830 | 0 | |a Visual and material culture, 1300-1700. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv23985w7 |z Texto completo |
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