Fair copy : relational poetics and antebellum American women's poetry /

"Jennifer Putzi studies the composition, publication, and circulation of American women's poetry in the antebellum United States. In opposition to a traditional scholarly emphasis on originality and individuality, or a recovery method centered on author-based interventions, Putzi proposes...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Putzi, Jennifer (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia, Pennsylvania : University of Pennsylvania Press, [2021]
Colección:Material texts.
Temas:
1800-1899
American poetry > Women authors > History and criticism.
American poetry > 19th century > History and criticism.
Authorship > Social aspects > United States > History > 19th century.
Women and literature > United States > History > 19th century.
Literature and society > United States > History > 19th century.
Poésie américaine > 19e siècle > Histoire et critique.
Art d'écrire > Aspect social > États-Unis > Histoire > 19e siècle.
Femmes et littérature > États-Unis > Histoire > 19e siècle.
Littérature et société > États-Unis > Histoire > 19e siècle.
LITERARY CRITICISM > American > General.
American poetry
American poetry > Women authors
Authorship > Social aspects
Literature and society
Women and literature
Autorschaft.
Arbeiter > Motiv.
Frauenlyrik.
Literatursoziologie.
Autorin.
United States
Literary criticism.
Criticism, interpretation, etc.
History
Critiques littéraires.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The American Hemans : Lydia Sigourney's relational poetics
  • "The songs which all can sing" : imitation and working women's poetry in the Lowell offering
  • "My country" : communal authorship and citizenship in Sarah Louisa Forten's Liberator poems
  • "What is poetry?" : Class, collaboration, and the making of Wales, and other poems
  • "Some queer freak of taste" : relational poetics and literary proprietorship in the "rock me to sleep" controversy
  • Conclusion : Recovering the unremarkable.

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