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The red years of Cahiers du cinéma (1968-1973). Volume I, Ideology and politics /

The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinéma' embarked on a militant turn that would govern the journal's work over the next five ye...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fairfax, Daniel (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2021]
Colección:Film culture in transition.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Table of Contents
  • Acknowledgements
  • A Note on Translations
  • Introduction
  • Part I. Theories of Ideology
  • Introduction
  • 1. "Cinéma/Idéologie/Critique": An Epistemological Break?
  • 2. Jean-Louis Comolli and Jean Narboni: Crossed Lives
  • 3. Décalages: "Young Mr. Lincoln de John Ford"
  • 3. Décalages: "Young Mr. Lincoln de John Ford"
  • 5. "Technique et Idéologie" by Jean-Louis Comolli
  • 6. Afterlives of the Apparatus
  • Part II. Engagements with Politics
  • Introduction
  • 7. The Radicalization of Cahiers: 1963-1969
  • 8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971
  • 9. Cahiers du cinéma's Turn to Maoism: 1971-1973
  • 10. Cahiers du cinéma and Jean-Luc Godard
  • 11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981
  • 12. Bernard Eisenschitz: Cinema, Communism and History
  • 13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema