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The red years of Cahiers du cinéma (1968-1973). Volume I, Ideology and politics /
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinéma' embarked on a militant turn that would govern the journal's work over the next five ye...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2021]
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| Colección: | Film culture in transition.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fairfax, Daniel, |e author. | |
| 245 | 1 | 4 | |a The red years of Cahiers du cinéma (1968-1973). |n Volume I, |p Ideology and politics / |c Daniel Fairfax. |
| 246 | 3 | 0 | |a Ideology and politics |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
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| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references. | ||
| 520 | 8 | |a The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinéma' embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of 'Cahiers du cinéma' produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. 00'The Red Years of Cahiers du Cinéma (1968-1973)' gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote. | |
| 588 | 0 | |a PDF (JSTOR, viewed November 2, 2021). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t A Note on Translations -- |t Introduction -- |t Part I. Theories of Ideology -- |t Introduction -- |t 1. "Cinéma/Idéologie/Critique": An Epistemological Break? -- |t 2. Jean-Louis Comolli and Jean Narboni: Crossed Lives -- |t 3. Décalages: "Young Mr. Lincoln de John Ford" -- |t 3. Décalages: "Young Mr. Lincoln de John Ford" -- |t 5. "Technique et Idéologie" by Jean-Louis Comolli -- |t 6. Afterlives of the Apparatus -- |t Part II. Engagements with Politics -- |t Introduction -- |t 7. The Radicalization of Cahiers: 1963-1969 -- |t 8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971 -- |t 9. Cahiers du cinéma's Turn to Maoism: 1971-1973 -- |t 10. Cahiers du cinéma and Jean-Luc Godard -- |t 11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981 -- |t 12. Bernard Eisenschitz: Cinema, Communism and History -- |t 13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema |
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| 650 | 7 | |a Social and cultural history. |2 bicssc | |
| 650 | 7 | |a Marxism and Communism. |2 bicssc | |
| 650 | 7 | |a Political Science |x Political Ideologies |x Communism, Post-communism & Socialism. |2 bisacsh | |
| 650 | 7 | |a Performing Arts |x Film |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a History |x Social History. |2 bisacsh | |
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| 655 | 0 | |a Electronic books. | |
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