The captive stage : performance and the proslavery imagination of the antebellum North /

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Jones, Douglas A.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2014]
Colección:Theater--theory/text/performance.
Temas:
1800-2899
African Americans in the performing arts > Northeastern States > History > 19th century.
Race discrimination > Northeastern States > History > 19th century.
White people > Northeastern States > History > 19th century.
Blackface entertainers > Northeastern States > History > 29th century.
Racism in popular culture > United States > History > 19th century.
Slavery > United States > History > 19th century.
Noirs américains dans les arts du spectacle > États-Unis (Nord-Est) > Histoire > 19e siècle.
Discrimination raciale > États-Unis (Nord-Est) > Histoire > 19e siècle.
Personnes blanches > États-Unis (Nord-Est) > Histoire > 19e siècle.
Racisme dans la culture populaire > États-Unis > Histoire > 19e siècle.
Esclavage > États-Unis > Histoire > 19e siècle.
DRAMA > American.
PERFORMING ARTS > Theater > History & Criticism.
Race relations
African Americans in the performing arts
Blackface entertainers
Race discrimination
Racism in popular culture
Slavery
White people
Northeastern States > Race relations > History > 19th century.
États-Unis (Nord-Est) > Relations raciales > Histoire > 19e siècle.
Northeastern States
United States
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: the "common sense" of slavery in the free Antebellum North
  • Setting the stage of black freedom: parades and "presence" in the New Nation
  • Black politics but not black people: early minstrelsy, "white slavery", and the wedge of "blackness"
  • Washington and the slave: black deformations, proslavery domesticity, and re-staging the birth of the nation
  • The theatocracy of antebellum social reform: "monkeyism" and the mode of romantic racialism
  • Melodrama and the performance of slave testimony; or, William Wells Brown's Inability to Escape
  • Epilogue: no exit, but a new stage.

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