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|a EBLCP
|b eng
|c EBLCP
|d JSTOR
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|a 9789042944763
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|a 9042944765
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|a 9789042944756
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|a 9042944757
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|a (OCoLC)1276861739
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|a 22573/ctv20zx7d6
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|a BS1485.52
|b .H447 2021eb
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|a 223.906
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|a UAMI
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|a Heereman, Nina S.,
|e author.
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|a Behold King Solomon on the day of his wedding :
|b a symbolic-diachronic reading of Song 3,6-11 and 4,12-5,1 /
|c Nina S. Heereman.
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|a Leuven :
|b Peeters Publishers,
|c 2021.
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|a 1 online resource (xxviii, 975 pages)
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a Bibliotheca Ephemeridum Theologicarum Lovaniensium ;
|v CCCXX
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|a Includes bibliographic references and index.
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|a Status quaestionis - reenergizing the debate -- Seeking the sensus literalis -- Metaphor - allegory - symbol -- Historical postulates: from composition to canon -- The Song of Songs and the wisdom of the king -- Sacred marriages -- Symbolic love and personifications -- Reconstituting the Song's symbolic hermeneutic -- Clues for a symbolic meaning -- For Solomon the messianic king -- Solomon's wedding (Song 3,6-11) -- The wedding of the garden-bride (Song 4,12-5,1) -- Synthetic retrospect.
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|a "The Song of Songs is a theological work in its literal sense. For centuries this was recognized by the overwhelming majority of its readers. Yet, in the argument of this study the Song is neither an allegory of divine-human love, nor a mere human love song. Rather, by adopting a symbolic language, the Song is able to express the realities of divine love in and through human love, thereby giving full expression to both dimensions. In order to substantiate and advance this view, this study introduces a new hermeneutical refinement into the discussion, giving careful consideration to different orders of textual meaning (i.e. 'metaphor,' 'allegory,' and 'symbol') in order to better understand what precisely we mean in speaking of the sensus literalis. The success of this symbolic approach owes much to its diachronic method. In particular, it is able to assimilate a redactional analysis of the Song's composition in which the personage of Solomon plays a remarkable and increasingly significant role (i.e. 'Solomonic Redaction'). This prominence of Israel's legendary king is plotted within an identifiable ancient Near Eastern royal ideology marked by an unmistakably religious orientation. This ideology in turn opens the door to a phenomenology of the kingship symbol by which certain aporias are resolved and the poetics of the text recover their full force."--Back cover.
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|a Description based upon print version of record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Bible.
|p Song of Solomon
|x Commentaries.
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|a Bible.
|p Song of Solomon
|x Criticism, interpretation, etc.
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|a Bible.
|p Song of Solomon.
|2 fast
|0 (OCoLC)fst01892948
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|a Bible.
|p Song of Songs
|x Criticism, interpretation, etc.
|2 nli
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|a Commentaries.
|2 fast
|0 (OCoLC)fst01423723
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Heereman, N. S.
|t Behold King Solomon on the Day of His Wedding
|d Leuven : Peeters Publishers & Booksellers,c2021
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|a Bibliotheca Ephemeridum theologicarum Lovaniensium ;
|v 320.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2114g4b
|z Texto completo
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|a YBP Library Services
|b YANK
|n 302510111
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|a ProQuest Ebook Central
|b EBLB
|n EBL6747823
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|a EBSCOhost
|b EBSC
|n 3058550
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|a 92
|b IZTAP
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