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|a 1789385059
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|z (OCoLC)1277053561
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|b Ingram Content Group
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|a 22573/ctv36wm49z
|b JSTOR
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|a 700.108
|2 23
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|a UAMI
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|a Entanglements of two :
|b a series of duets /
|c edited by Mary Paterson, Karen Christopher.
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|a 1st.
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|a Bristol :
|b Intellect Books,
|c 2021.
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| 300 |
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|a 1 online resource :
|b illustrations.
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| 336 |
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|a text
|2 rdacontent
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|a still image
|2 rdacontent
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|a computer
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|a online resource
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|a <p>[1] </p><p>Opening gambit</p><p>Karen Christopher</p><p><br />[2]</p><p>Haranczak/Navarre Performance Projects</p><p>Duet collaborations, 2010-21</p><p><br />[3] </p><p>Foreword</p><p>Season Butler</p><p><br />[4]</p><p>Introductory fragment #1: the two of you </p><p>Karen Christopher</p><p><br />[5]</p><p>Between Two Somethings</p><p>J. R. Carpenter</p><p><br />[6]</p><p>Duet Walk</p><p>Karen Christopher Mary Paterson</p><p><br />[7]</p><p>Resonance of Two</p><p>Karen Christopher</p><p><br />[8]</p><p>Six Practices of Learning Together in Havruta</p><p>Orit Kent</p><p><br />[9]</p><p>Introductory fragment #2: heart and lungs </p><p>Karen Christopher</p><p><br />[10]</p><p>Consider This (Control Signal)</p><p>Mary Paterson</p><p><br />[11]</p><p>Staying with the tremble</p><p>Eirini Kartsaki</p><p><br />[12]</p><p>What never stops?</p><p>Joe Kelleher</p><p><br />[13]</p><p>Invisible partners remain themselves inside</p><p>Litó Walkey</p><p> </p><p>[14]</p><p>The Promise of More to Come (So Below)</p><p>Mary Paterson</p><p><br />[15]</p><p>On creating a climate of attention: the composition of our work</p><p>Karen Christopher Sophie Grodin</p><p><br />[16]</p><p>Not so much balanced as balancing (miles miles)</p><p>Mary Paterson</p><p><br />[17]</p><p>The collaborative artistic working process of Control Signal: <br />A drama-linguistic exploration of the shifting of roles</p><p>Andrea Milde</p><p><br />[18]</p><p>Introductory fragment #3: tangled</p><p>Karen Christopher</p><p><br />[19]</p><p>Imagining Seven Falls </p><p>Mary Paterson</p><p><br />[20]</p><p>Introductory fragment #4: a lot of rope</p><p>Karen Christopher</p><p><br />[21]</p><p>Always On Uneven Ground</p><p>Rajni Shah</p><p> </p><p>[22]</p><p>TwoFold: Questions</p><p>Mary Paterson</p><p><br />[23]</p><p>A Physics Duet</p><p>David Berman</p><p> </p><p>[24]</p><p>Conclusion</p><p>I have been thinking of you this whole time</p><p>Mary Paterson</p><p><br />[25]</p><p>Diffractions: record of a passage</p><p>David Williams</p><p><br />[26]</p><p>Contributors' biographies</p>
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|a Description based on CIP data; resource not viewed.
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Artistic collaboration.
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| 650 |
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|a Collaboration artistique.
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| 650 |
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|a PERFORMING ARTS / General
|2 bisacsh
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| 650 |
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|a Artistic collaboration
|2 fast
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| 700 |
1 |
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|a Paterson, Mary
|c (Writer on the arts),
|e editor.
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| 700 |
1 |
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|a Christopher, Karen,
|e editor.
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| 776 |
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|i Print version:
|z 9781789385045
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| 856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xw4wr
|z Texto completo
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH38634646
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH38634645
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| 994 |
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|a 92
|b IZTAP
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