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Passing and posing between Black and White : calibrating the color line in U.S. cinema /
Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fac...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript,
[2021]
|
| Colección: | Film (Transcript (Firm))
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gotto, Lisa, |e author. | |
| 240 | 1 | 0 | |a Traum und Trauma in Schwarz-Weiss. |l English |
| 245 | 1 | 0 | |a Passing and posing between Black and White : |b calibrating the color line in U.S. cinema / |c Lisa Gotto. |
| 264 | 1 | |a Bielefeld : |b Transcript, |c [2021] | |
| 300 | |a 1 online resource (246 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film studies | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on September 29, 2021). | |
| 505 | 0 | |a Cover -- Contents -- Acknowledgements -- Foreword -- Introduction -- I. Conquered -- Unconquered -- The Birth of a Nation (David Wark Griffith, USA 1915) -- The Symbol of the Unconquered (Oscar Micheaux, USA 1920) -- II. Reflections -- Shadows -- Imitation of Life (Douglas Sirk, USA 1959) -- Shadows (John Cassavetes, USA 1959) -- III. Blackface -- Whiteface -- Bamboozled (Spike Lee, USA 2000) -- The Human Stain (Robert Benton, USA 2003) -- Conclusion -- IV. Appendix -- Bibliography -- Filmography | |
| 520 | |a Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 0 | |a Passing (Identity) in motion pictures. | |
| 650 | 0 | |a Racism in motion pictures. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 6 | |a Racisme au cinéma. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Passing (Identity) in motion pictures. |2 fast |0 (OCoLC)fst01054420 | |
| 650 | 7 | |a Race in motion pictures. |2 fast |0 (OCoLC)fst01086507 | |
| 650 | 7 | |a Racism in motion pictures. |2 fast |0 (OCoLC)fst01086658 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Gotto, Lisa. |s Traum und Trauma in schwarz-weiß English. |t Passing and posing between black and white |z 9783837653373 |w (OCoLC)1269197381 |
| 830 | 0 | |a Film (Transcript (Firm)) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c207 |z Texto completo |
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| 938 | |a EBSCOhost |b EBSC |n 3030821 | ||
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| 994 | |a 92 |b IZTAP | ||