|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1269507034 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
210911s2021 inua ob 001 0beng |
010 |
|
|
|a 2021031446
|
040 |
|
|
|a DLC
|b eng
|e rda
|c DLC
|d OCLCO
|d YDX
|d EBLCP
|d YDX
|d N$T
|d OCLCF
|d JSTOR
|d OCLCO
|d MZA
|d OCLCO
|d TEFOD
|d OCLCO
|d K6U
|d OCLCQ
|d P@U
|d GGVRL
|
020 |
|
|
|a 0253059046
|q electronic book
|
020 |
|
|
|a 9780253059024
|q electronic book
|
020 |
|
|
|a 025305902X
|q electronic book
|
020 |
|
|
|a 9780253059048
|q (electronic bk.)
|
020 |
|
|
|z 9780253059017
|q hardcover
|
020 |
|
|
|z 9780253059031
|q paperback
|
029 |
1 |
|
|a AU@
|b 000069963315
|
035 |
|
|
|a (OCoLC)1269507034
|
037 |
|
|
|a 22573/ctv21g7pss
|b JSTOR
|
037 |
|
|
|a BAC687A7-6DDB-460E-B407-464D17258160
|b OverDrive, Inc.
|n http://www.overdrive.com
|
042 |
|
|
|a pcc
|
043 |
|
|
|a n-us---
|
050 |
0 |
4 |
|a PN1998.3.C6673
|b H67 2021
|
072 |
|
7 |
|a PER
|x 018000
|2 bisacsh
|
072 |
|
7 |
|a BIO
|x 002010
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 038000
|2 bisacsh
|
082 |
0 |
0 |
|a 791.4302/33092
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Horton-Stallings, LaMonda,
|e author.
|
245 |
1 |
4 |
|a The afterlives of Kathleen Collins :
|b a Black woman filmmaker's search for new life /
|c L. H. Stallings.
|
264 |
|
1 |
|a Bloomington, Indiana :
|b Indiana University Press,
|c [2021]
|
300 |
|
|
|a 1 online resource (viii, 201 pages) :
|b illustrations.
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Studies in the cinema of the Black diaspora
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Introduction. Anterior life -- She liked writing : love life -- Love, a crisis of possession : life of the mind -- Fifth dimension cinema : Mocambo life -- Cinematic marronage : Karkinos life -- Black feminist poethics of cancer -- Conclusion: Dreams no longer deferred.
|
520 |
|
|
|a "An absorbing portrait of a groundbreaking Black woman filmmaker. Kathleen Collins (1942-88) was a visionary and influential Black filmmaker. Beginning with her short film The Cruz Brothers and Miss Malloy and her feature film Losing Ground, Collins explored new dimensions of what narrative film could and should do. However, her achievements in filmmaking were part of a greater life project. In this critically imaginative study of Collins, L.H. Stallings narrates how Collins, as a Black woman writer and filmmaker, sought to change the definition of life and living. The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life explores the global significance and futurist implications of filmmaker and writer Kathleen Collins. In addition to her two films, Stallings examines the broad and expansive and varying forms of writing produced by Collins during her short life time. The Afterlives of Kathleen Collins showcases how Collins used filmmaking, writing, and teaching to assert herself as a poly-creative dedicated to asking and answering difficult philosophical questions about human being and living. Interrogating the ideological foundation of life-writing and cinematic life-writing as they intersect with race and gender, Stallings intervenes on the delimited concepts of life and Black being that impeded wider access, distribution, and production of Collins's personal, cinematic, literary, and theatrical works. The Afterlives of Kathleen Collins definitively emphasizes the evolution of film and film studies that Collins makes possible for current and future generations of filmmakers"--
|c Provided by publisher.
|
588 |
|
|
|a Description based on online resource; title from digital title page (viewed on October 21, 2021).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
0 |
|a Collins, Kathleen,
|d 1942-1988.
|
650 |
|
0 |
|a African American women motion picture producers and directors
|v Biography.
|
650 |
|
0 |
|a African American women screenwriters
|v Biography.
|
650 |
|
0 |
|a Biographical films
|z United States
|x History and criticism.
|
650 |
|
0 |
|a African Americans in motion pictures.
|
650 |
|
0 |
|a Race in motion pictures.
|
650 |
|
6 |
|a Productrices et réalisatrices de cinéma noires américaines
|v Biographies.
|
650 |
|
6 |
|a Femmes scénaristes noires américaines
|v Biographies.
|
650 |
|
6 |
|a Noirs américains au cinéma.
|
650 |
|
6 |
|a Race au cinéma.
|
650 |
|
7 |
|a PERFORMING ARTS / Individual Director
|2 bisacsh
|
650 |
|
7 |
|a African American women motion picture producers and directors.
|2 fast
|0 (OCoLC)fst00799508
|
650 |
|
7 |
|a African American women screenwriters.
|2 fast
|0 (OCoLC)fst00799523
|
650 |
|
7 |
|a African Americans in motion pictures.
|2 fast
|0 (OCoLC)fst00799733
|
650 |
|
7 |
|a Biographical films.
|2 fast
|0 (OCoLC)fst00832143
|
650 |
|
7 |
|a Race in motion pictures.
|2 fast
|0 (OCoLC)fst01086507
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
0 |
|a Electronic books.
|
655 |
|
7 |
|a Biographies.
|2 fast
|0 (OCoLC)fst01919896
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version:
|a Horton-Stallings, LaMonda.
|t Afterlives of Kathleen Collins
|d Bloomington, Indiana : Indiana University Press, [2021]
|z 9780253059017
|w (DLC) 2021031445
|
830 |
|
0 |
|a Studies in the cinema of the Black diaspora.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv21hrj9r
|z Texto completo
|
938 |
|
|
|a Gale Cengage Learning
|b GVRL
|n GVRL56Q0
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL30448766
|
938 |
|
|
|a Project MUSE
|b MUSE
|n musev2_109701
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 302498342
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6735438
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 17648873
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 3050117
|
994 |
|
|
|a 92
|b IZTAP
|