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Shipwreck Hauntography : Underwater Ruins and the Uncanny /

Drawing on a broad theoretical range from speculative realism to feminist psychoanalysis and anti-colonialism, this book represents a radical departure from traditional scholarship on maritime archaeology. Shipwreck Hauntography asserts that nautical archaeology bears the legacy of Early Modern theo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rich, Sara A. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2021]
Colección:Maritime Humanities, 1400-1800: Cultures of the Sea
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Table of Contents
  • Preface: Hauntographies of Ordinary Shipwrecks
  • Works Cited
  • 1. Resetting the Binary Bones
  • Legacy (Marigalante)
  • Liturgy (The Gresham Ship)
  • Litany (Santa María)
  • Liminality (The Nissia)
  • Works Cited
  • 2. Broken Ship, Dead Ship
  • Ontology (The Yarmouth Roads)
  • Meontology (Holigost)
  • Deontology (Mary Rose)
  • Mereology (Argo and Ark)
  • Works Cited
  • 3. Among the Tentative Haunters
  • Conversion (Terror and Erebus)
  • Inversion (Impregnable)
  • Delirium (Belle)
  • Desiderium (The Ribadeo)
  • Works Cited
  • 4. Vibrant Corpses
  • Entropy (Nuestra Señora de los Remedios)
  • Negentropy (Magdalena)
  • Putrefaction (Sanchi)
  • Purification (Costa Concordia)
  • Works Cited
  • 5. Macabre Simulacra
  • Exploration (Melckmeyt)
  • Exploitation (Thistlegorm)
  • Eschatology (Batavia)
  • Elegy (Bayonnaise)
  • Works Cited
  • Postface. On Underwater Séances and Punk Eulogies
  • Works Cited
  • Complete Works Cited
  • Index
  • Illustration List
  • Hauntograph 1: Nissia 1. Burned cow bones and adhesive (Sara Rich, 2019).
  • Hauntograph 2: Nissia 2. Burned cow bones and ash (Sara Rich, 2020).
  • Hauntograph 3: Yarmouth Roads 1. Digital photographic collage (Sara Rich, 2016). Image credits: Maritime Archaeology Trust and the Isle of Wight Heritage Service.
  • Hauntograph 4: Yarmouth Roads 2. Digital photographic collage (Sara Rich, 2016). Image credits: Maritime Archaeology Trust and the Isle of Wight Heritage Service.
  • Hauntograph 5: Ribadeo 1. Cyanotype prints, cuttlefish-ink imprints on cloth, and fishnet fabric, draped by brass rivets on acrylic rods on found window, in order from top left to right, then bottom left to right (Sara Rich, 2017). Image credits: Miguel San Claudio Santa Cruz and Raúl González Gallero.
  • Hauntograph 6: Ribadeo 2. Watercolor on fabric and ink on paper (Sara Rich, 2017). Image credits: Miguel San Claudio Santa Cruz.
  • Hauntograph 7-11
  • Hauntographs 12-16