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Shipwreck Hauntography : Underwater Ruins and the Uncanny /

Drawing on a broad theoretical range from speculative realism to feminist psychoanalysis and anti-colonialism, this book represents a radical departure from traditional scholarship on maritime archaeology. Shipwreck Hauntography asserts that nautical archaeology bears the legacy of Early Modern theo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rich, Sara A. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2021]
Colección:Maritime Humanities, 1400-1800: Cultures of the Sea
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9048543827  |q (electronic book) 
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049 |a UAMI 
100 1 |a Rich, Sara A.,  |e author. 
245 1 0 |a Shipwreck Hauntography :  |b Underwater Ruins and the Uncanny /  |c Sara A. Rich. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2021] 
300 |a 1 online resource (268 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Maritime Humanities, 1400-1800: Cultures of the Sea 
504 |a Includes bibliographical references and index. 
505 0 |a Cover -- Table of Contents -- Preface: Hauntographies of Ordinary Shipwrecks -- Works Cited -- 1. Resetting the Binary Bones -- Legacy (Marigalante) -- Liturgy (The Gresham Ship) -- Litany (Santa María) -- Liminality (The Nissia) -- Works Cited -- 2. Broken Ship, Dead Ship -- Ontology (The Yarmouth Roads) -- Meontology (Holigost) -- Deontology (Mary Rose) -- Mereology (Argo and Ark) -- Works Cited -- 3. Among the Tentative Haunters -- Conversion (Terror and Erebus) -- Inversion (Impregnable) -- Delirium (Belle) -- Desiderium (The Ribadeo) -- Works Cited -- 4. Vibrant Corpses 
505 8 |a Entropy (Nuestra Señora de los Remedios) -- Negentropy (Magdalena) -- Putrefaction (Sanchi) -- Purification (Costa Concordia) -- Works Cited -- 5. Macabre Simulacra -- Exploration (Melckmeyt) -- Exploitation (Thistlegorm) -- Eschatology (Batavia) -- Elegy (Bayonnaise) -- Works Cited -- Postface. On Underwater Séances and Punk Eulogies -- Works Cited -- Complete Works Cited -- Index -- Illustration List -- Hauntograph 1: Nissia 1. Burned cow bones and adhesive (Sara Rich, 2019). -- Hauntograph 2: Nissia 2. Burned cow bones and ash (Sara Rich, 2020). 
505 8 |a Hauntograph 3: Yarmouth Roads 1. Digital photographic collage (Sara Rich, 2016). Image credits: Maritime Archaeology Trust and the Isle of Wight Heritage Service. -- Hauntograph 4: Yarmouth Roads 2. Digital photographic collage (Sara Rich, 2016). Image credits: Maritime Archaeology Trust and the Isle of Wight Heritage Service. 
505 8 |a Hauntograph 5: Ribadeo 1. Cyanotype prints, cuttlefish-ink imprints on cloth, and fishnet fabric, draped by brass rivets on acrylic rods on found window, in order from top left to right, then bottom left to right (Sara Rich, 2017). Image credits: Miguel San Claudio Santa Cruz and Raúl González Gallero. -- Hauntograph 6: Ribadeo 2. Watercolor on fabric and ink on paper (Sara Rich, 2017). Image credits: Miguel San Claudio Santa Cruz. -- Hauntograph 7-11 -- Hauntographs 12-16 
500 |a Hauntograph 17: Bayonnaise 6. Mobile with shells, coral, bones, and fleur-de-lis print fabric sewn onto velvet-lined metal tray (Sara Rich, 2019). 
520 |a Drawing on a broad theoretical range from speculative realism to feminist psychoanalysis and anti-colonialism, this book represents a radical departure from traditional scholarship on maritime archaeology. Shipwreck Hauntography asserts that nautical archaeology bears the legacy of Early Modern theological imperialism, most evident through the savior-scholar model that resurrects--physically or virtually--ships from wrecks. Instead of construing shipwrecks as dead, awaiting resurrection from the seafloor, they are presented as vibrant if not recalcitrant objects, having shaken off anthropogenesis through varying stages of ruination. Sara Rich illustrates this anarchic condition with 'hauntographs' of five Age of 'Discovery' shipwrecks, each of which elucidates the wonder of failure and finitude, alongside an intimate brush with the eerie, horrific, and uncanny. 
588 0 |a Online resource; title from digital title page (viewed on June 22, 2022). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Underwater archaeology. 
650 0 |a Shipwrecks. 
650 6 |a Archéologie sous-marine. 
650 6 |a Naufrages. 
650 7 |a underwater archaeology.  |2 aat 
650 7 |a shipwrecks.  |2 aat 
650 7 |a History of art and design styles: c 1400 to c 1600.  |2 bicssc 
650 7 |a Museology and heritage studies.  |2 bicssc 
650 7 |a Interdisciplinary studies.  |2 bicssc 
650 7 |a Archaeology.  |2 bicssc 
650 7 |a ART  |x History  |x Renaissance.  |2 bisacsh 
650 7 |a Shipwrecks.  |2 fast  |0 (OCoLC)fst01116638 
650 7 |a Underwater archaeology.  |2 fast  |0 (OCoLC)fst01161071 
655 7 |a e-books.  |2 aat 
655 7 |a Livres numériques.  |2 rvmgf 
776 0 8 |i Print version:  |a Rich, Sara.  |t Shipwreck Hauntography.  |d Amsterdam : Amsterdam University Press, ©2021 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1xg5h9r  |z Texto completo 
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