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Sine ni Lav Diaz : A Long Take on the Filipino Auteur.
The first book-length study of the Filipino auteur Lav Diaz, this edited volume offers a nuanced overview of the filmmaker, his corpus, career and traditions from various perspectives for film enthusiasts, researchers and general readers alike. 17 b/w illus.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Books Ltd,
2021.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover
- Half Title
- frontispeices
- Sine ni Lav Diaz: A Long Take on the Filipino Auteur
- Copyright Page
- Table of contents
- Foreword: Lav Diaz, Artist
- Preface
- Acknowledgements
- Introduction: Lav Diaz: Cinema beyond Time
- Part 1 Lav Diaz Through Cinematic Histories
- 1 After Brocka: Situating Lav Diaz in Philippine Cinema
- Note
- References
- 2 Homeward Hill: Messianic Redemption in Diaz and Dostoyevsky
- A national cinema
- Raskolnikov from far-off
- Radical freedom
- Realism and allegory
- Messianism and redemption
- Beauty of the soul
- Notes
- 4 Freedom Is a Long Shot: A Chronicle of Lav Diaz's Artistic Struggle
- Introduction
- Five centuries under the influence
- The digital (r)evolution
- Conclusion
- Notes
- References
- Part 2 From Death to the Gods: The Resurrection of the National?
- 5 Never, Always and Already Saved: A Soteriological Reading of Norte and Florentina Hubaldo, CTE
- Norte, the End of History
- Florentina Hubaldo, CTE
- Conclusion
- References
- 6 The Idyllic Chronotope and Spatial Justice in Lav Diaz's Melancholia
- The idyllic chronotope in Diaz's epic melodrama
- Locating spatial justice in Melancholia
- Thresholds and landscapes
- Spectral embodiments, and walking as ritual of mourning
- References
- Part 3 No Cinema, No Art Either
- 7 How Do You Solve a Problem Like Lav Diaz? Debating Norte, the End of History
- Materialism and humanism in Norte, the End of History
- Are we permitted to evaluate Diaz?
- Critique and counter-critique
- References
- 8 Evolution of a Filipino Family and/as Non-Cinema
- Philippine revolution
- Philippine evolution
- Style and self-consciousness
- 9 Jesus, Magdalene and the Filipino Judas: Lav Diaz and His 'Artless Epics'
- Prologue
- Proposition
- Film criticism
- The figures, the cinematic, the performative
- The Grand Inquisitor
- Epilogue
- Notes
- References
- 10 Distributing the Cinema of Lav Diaz
- Background
- The (slow) cinema of Lav Diaz
- Marketing and distribution strategies, and experiencing the cinema of Lav Diaz
- 1. Eventization
- 2. Endurance viewing
- 3. The distributor's cut
- Conclusion
- References
- Part 4 Interview with Lav Diaz
- 11 A Lav Affair with Cinema
- Note
- Part 5 Tribute