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210807s2021 xx o ||| 0deng d |
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|a 1263028632
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|a 1789384265
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|a 9781789384260
|q (electronic bk.)
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|a 9781789384253
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|a 1789384257
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|z 9781789384246 (pbk.)
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|a (OCoLC)1267565304
|z (OCoLC)1263028632
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|a 3-180-9781789384260
|b Ingram Content Group
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|a 22573/ctv36whp2q
|b JSTOR
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|a PN1998.3.D497
|b S56 2021
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|a ART
|x 057000
|2 bisacsh
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|a 791.430233092
|2 23
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|a UAMI
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245 |
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|a Sine ni Lav Diaz :
|b A Long Take on the Filipino Auteur.
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260 |
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|a Bristol :
|b Intellect Books Ltd,
|c 2021.
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300 |
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|a 1 online resource (214 p.)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|2 rdamedia
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|a online resource
|2 rdacarrier
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|a Front Cover -- Half Title -- frontispeices -- Sine ni Lav Diaz: A Long Take on the Filipino Auteur -- Copyright Page -- Table of contents -- Foreword: Lav Diaz, Artist -- Preface -- Acknowledgements -- Introduction: Lav Diaz: Cinema beyond Time -- Part 1 Lav Diaz Through Cinematic Histories -- 1 After Brocka: Situating Lav Diaz in Philippine Cinema -- Note -- References -- 2 Homeward Hill: Messianic Redemption in Diaz and Dostoyevsky -- A national cinema -- Raskolnikov from far-off -- Radical freedom -- Realism and allegory -- Messianism and redemption -- Beauty of the soul -- Notes
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|a References -- 3 Long Walk to Life:: The Films of Lav Diaz -- May Adadol Ingawanij examines the dialectic between idealist projections of the postcolonial nation and its present aberrations in Lav Diaz's epic tales of endurance. -- Physical Realism -- Cartography of a Nation -- From What Is Before turns the experience of military terrorisation in Mindanao into an emblem of the neglect of the people by the nation-state apparatus. -- Stories of Mothers -- Acts of physical exertion - their duration, spatiality and intensity - become the means by which a film maps a territory and defines a people.
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|a 4 Freedom Is a Long Shot: A Chronicle of Lav Diaz's Artistic Struggle -- Introduction -- Five centuries under the influence -- The digital (r)evolution -- Conclusion -- Notes -- References -- Part 2 From Death to the Gods: The Resurrection of the National? -- 5 Never, Always and Already Saved: A Soteriological Reading of Norte and Florentina Hubaldo, CTE -- Norte, the End of History -- Florentina Hubaldo, CTE -- Conclusion -- References -- 6 The Idyllic Chronotope and Spatial Justice in Lav Diaz's Melancholia -- The idyllic chronotope in Diaz's epic melodrama
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|a Locating spatial justice in Melancholia -- Thresholds and landscapes -- Spectral embodiments, and walking as ritual of mourning -- References -- Part 3 No Cinema, No Art Either -- 7 How Do You Solve a Problem Like Lav Diaz? Debating Norte, the End of History -- Materialism and humanism in Norte, the End of History -- Are we permitted to evaluate Diaz? -- Critique and counter-critique -- References -- 8 Evolution of a Filipino Family and/as Non-Cinema -- Philippine revolution -- Philippine evolution -- Style and self-consciousness
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|a 9 Jesus, Magdalene and the Filipino Judas: Lav Diaz and His 'Artless Epics' -- Prologue -- Proposition -- Film criticism -- The figures, the cinematic, the performative -- The Grand Inquisitor -- Epilogue -- Notes -- References -- 10 Distributing the Cinema of Lav Diaz -- Background -- The (slow) cinema of Lav Diaz -- Marketing and distribution strategies, and experiencing the cinema of Lav Diaz -- 1. Eventization -- 2. Endurance viewing -- 3. The distributor's cut -- Conclusion -- References -- Part 4 Interview with Lav Diaz -- 11 A Lav Affair with Cinema -- Note -- Part 5 Tribute
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500 |
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|a 12 Indictment and Empowerment of the Individual:: The Modern Cinema of Lav Diaz.
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520 |
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|a The first book-length study of the Filipino auteur Lav Diaz, this edited volume offers a nuanced overview of the filmmaker, his corpus, career and traditions from various perspectives for film enthusiasts, researchers and general readers alike. 17 b/w illus.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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600 |
1 |
0 |
|a Diaz, Lav,
|d 1958-
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600 |
1 |
7 |
|a Diaz, Lav,
|d 1958-
|2 fast
|0 (OCoLC)fst02013957
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650 |
|
0 |
|a Motion pictures
|z Philippines
|x History.
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650 |
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6 |
|a Cinéma
|z Philippines
|x Histoire.
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650 |
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7 |
|a Individual film directors, film-makers.
|2 bicssc
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650 |
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7 |
|a Film: styles & genres.
|2 bicssc
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650 |
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7 |
|a Film production: technical & background skills.
|2 bicssc
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650 |
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7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
|
651 |
|
7 |
|a Philippines.
|2 fast
|0 (OCoLC)fst01205261
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650 |
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7 |
|a ART / Film & Video
|2 bisacsh
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655 |
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7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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700 |
1 |
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|a Patra, Parichay,
|d 1985-
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700 |
1 |
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|a Lim, Michael Kho.
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776 |
0 |
8 |
|i Print version:
|a Patra, Parichay
|t Sine ni Lav Diaz
|d Bristol : Intellect Books Ltd,c2021
|z 9781789384246
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvxtc
|z Texto completo
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938 |
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|a YBP Library Services
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|a Askews and Holts Library Services
|b ASKH
|n AH38664527
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|a ProQuest Ebook Central
|b EBLB
|n EBL6688635
|
938 |
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|a EBSCOhost
|b EBSC
|n 2988580
|
994 |
|
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|a 92
|b IZTAP
|