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Street with no name : a history of the classic American film noir /

"Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dickos, Andrew, 1952- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : University Press of Kentucky, 2021.
Edición:Updated edition.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dickos, Andrew,  |d 1952-  |e author. 
245 1 0 |a Street with no name :  |b a history of the classic American film noir /  |c Andrew Dickos. 
250 |a Updated edition. 
264 1 |a Lexington :  |b University Press of Kentucky,  |c 2021. 
264 4 |c ©2002 
300 |a 1 online resource (x, 307 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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386 |n nat  |a Americans  |2 lcdgt 
504 |a Includes bibliographical references and index. 
505 0 |a Preface to the updated edition -- Introduction -- 1. The noir in America -- 2. The hard-boiled fiction influence -- 3. Women as seen in the film noir -- 4. Noir production -- 5. The noir influence on the French new wave -- Epilogue : Comments on the classic film noir and the neo-noir -- Appendix. Credits of selected films noirs. 
520 |a "Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. He argues that, in its most satisfying form, the film noir exists as a series of conventions with an iconography and characters of distinctive significance. Featuring stylized lighting and urban settings, these films tell melodramatic narratives involving characters who commit crimes predicated on destructive passions, corruption, and a submission to human weakness and fate. Unlike other studies of the noir, Street with No Name follows its development in a loosely historical style that associates certain noir directors with those features in their films that helped define the scope of the genre. Dickos examines notable directors such as Orson Welles, Fritz Lang, Otto Preminger, and Robert Siodmak. He also charts the genre's influence on such celebrated postwar French filmmakers as Jean-Pierre Melville, Francois Truffaut, and Jean-Luc Godard."--  |c Provided by publisher 
545 0 |a Andrew Dickos is the author of Intrepid Laughter: Preston Sturges and the Movies and Honor among Thieves: The Cinema of Jean-Pierre Melville. He is also the editor of Abraham Polonsky: Interviews. He is a commentator on Paramount Home Entertainment's DVD of Preston Sturges's The Miracle of Morgan's Creek and contributed film noir content to the Columbia World of Quotations. He lives in New York City. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
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650 0 |a Film noir  |z United States  |x History and criticism. 
650 6 |a Films noirs  |z États-Unis  |x Histoire et critique. 
650 7 |a Film noir.  |2 fast  |0 (OCoLC)fst00924273 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Dickos, Andrew, 1952-  |t Street with no name.  |d Lexington : The University Press of Kentucky, 2021  |z 9780813152196  |w (OCoLC)1268130236 
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