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The films of Doris Wishman /
Producer, distributor, and director Doris Wishman (1912-2002) was a pioneering woman in the film industry, leaving a body of work almost 30 films strong. Largely overlooked by critical and cultural analysis, Wishman worked in the normatively neglected film genre of sexploitation and adult film, but...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2021]
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| Colección: | ReFocus, the American directors series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The films of Doris Wishman / |c edited by Alicia Kozma and Finley Freibert. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2021] | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a ReFocus. The American directors series | |
| 520 | 8 | |a Producer, distributor, and director Doris Wishman (1912-2002) was a pioneering woman in the film industry, leaving a body of work almost 30 films strong. Largely overlooked by critical and cultural analysis, Wishman worked in the normatively neglected film genre of sexploitation and adult film, but works like 'Hideout in the Sun' (1960), 'Bad Girls Go To Hell' (1965), 'Double Agent 73' (1974) and 'Each Time I Kill' (2007) demonstrate an interest in complicated, ideological and often troubling social performances of the contemporary human condition. This book positions Wishman as a significant and overlooked force in American independent film, with an impact on how we currently understand the categories of cult, exploitation, horror, experimental, and avant-garde cinema. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t List of figures -- |t Notes on Contributors -- |t Acknowledgments -- |t Foreword -- |t Joan Hawkins -- |t Introduction: Making Films in Hell / |r Alicia Kozma and Finley Freibert -- |g Part 1. |t Gender and Genre -- |t The Body as Apparatus: Doris Wishman's Double Agent 73 / |r Elena Gorfinkel -- |t The Girls in the Mirror: Women's Horror Filmmaking and Doris Wishman's Each Time I Kill / |r Alexandra Heller-Nicholas -- |t Trans/sexual Negativity and the Ethics of (S)exploitation in Let me Die a Woman / |r Harper Shalloe -- |g Part 2. |t Cultural History and Adult Film Studies -- |t Hardcore Wishman / |r Whitney Strub -- |t Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman's Roughies / |r Finley Freibert -- |t It's strange but it's wonderful: Doris Wishman's Nude on the Moon / |r Karen Joan Kohoutek -- |g Part 3. |t Comparative Approaches to Authorship -- |t Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion / |r Hannah Greenberg -- |t Revolutionization of the Erotic Screen: The Films of Doris Wishman and Wakamatsu Koji / |r Molly Kim -- |t You can't say you're not getting a horror film here!: Authorship, Genre, and the Accidental Avant-Garde in Doris Wishman's A Night to Dismember / |r Jamie Hook -- |t My Teenage Cinematic Love Affair with Doris Wishman / |r Rebekah McKendry. |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Wishman, Doris, |d 1920-2002 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Wishman, Doris, |d 1920-2002 |2 fast |
| 650 | 0 | |a Motion picture producers and directors |z United States. | |
| 650 | 0 | |a Women motion picture producers and directors |z United States. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z États-Unis. | |
| 650 | 6 | |a Productrices et réalisatrices de cinéma |z États-Unis. | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 650 | 7 | |a Women motion picture producers and directors |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Kozma, Alicia, |e editor. | |
| 700 | 1 | |a Freibert, Finley, |e editor. | |
| 776 | 0 | 8 | |i Print version: |z 9781474482370 |
| 776 | 0 | 8 | |i Print version: |z 9781474482349 |z 1474482341 |w (OCoLC)1246539236 |
| 830 | 0 | |a ReFocus, the American directors series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1vtz83z |z Texto completo |
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