|
|
|
|
LEADER |
00000cam a2200000Mi 4500 |
001 |
JSTOR_on1262374573 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
210731t20212021enka ob 001 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e rda
|e pn
|c EBLCP
|d N$T
|d EBLCP
|d N$T
|d OCLCO
|d UKMGB
|d AAA
|d OCLCO
|d YDX
|d OCLCF
|d OSU
|d OCLCO
|d SFB
|d JSTOR
|d GZM
|
015 |
|
|
|a GBC1B2399
|2 bnb
|
016 |
7 |
|
|a 020259535
|2 Uk
|
019 |
|
|
|a 1266312982
|a 1280167329
|
020 |
|
|
|a 9781789384727
|q (electronic bk.)
|
020 |
|
|
|a 1789384729
|q (electronic bk.)
|
020 |
|
|
|a 9781789384734
|q (ePub ebook)
|
020 |
|
|
|a 1789384737
|q (ePub ebook)
|
020 |
|
|
|z 9781789384710 (paperback)
|
020 |
|
|
|z 1789384710 (paperback)
|
029 |
1 |
|
|a UKMGB
|b 020259535
|
029 |
1 |
|
|a AU@
|b 000070455711
|
035 |
|
|
|a (OCoLC)1262374573
|z (OCoLC)1266312982
|z (OCoLC)1280167329
|
037 |
|
|
|a 3-180-9781789384727
|b Ingram Content Group
|
037 |
|
|
|a 22573/ctv36wj4q8
|b JSTOR
|
050 |
|
4 |
|a PN2193.E86
|b H55 2021
|
072 |
|
7 |
|a PER
|x 011000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 060000
|2 bisacsh
|
082 |
0 |
4 |
|a 792/.022
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Hill, Leslie,
|d 1967-
|e author.
|
245 |
1 |
0 |
|a Devising theatre and performance :
|b curious methods /
|c Leslie Hill and Helen Paris.
|
264 |
|
1 |
|a Bristol :
|b Intellect Books Ltd,
|c [2021].
|
264 |
|
4 |
|c ©2021
|
300 |
|
|
|a 1 online resource (164 pages) :
|b illustrations.
|
336 |
|
|
|a still image
|2 rdacontent
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a 1. Curious Methods -- 2. Pep Talk -- 3. Working from the Body -- 4. Working with Objects -- 5. Working with Site -- 6. Working with Pairings -- 7. Activism -- 8. Production Workbook -- 9. A Practice-Based Research Workbook
|
520 |
|
|
|a Devising Theatre and Performance is a hands-on guide for artists, students and teachers of performance at any stage of their practice. It offers a wide range of creative prompts and pathways enriched with critical thinking tools and questions, a hybrid approach Hill and Paris call 'Curious Methods'. This is a welcome addition to the field, created and curated by two experienced artists who have operated at the international interface of academia and professional practice for over three decades. The collection is packed with fun, creative, thoughtful exercises distilled from over twenty years of running interdisciplinary artist workshops and teaching devising and performance making. As well providing numerous exercises and suggestions for devising, composing and editing original works, this book offers tools for giving and receiving feedback, critical reflection and framing artistic work within academic research contexts. Readers can choose to dip in and out, to follow the book as a course, or to work section by section focusing on organizing principles such as working from the body, working with site, working with objects or performance activism. The book includes a detailed Production Workbook and a Practice Based Research Workbook you can tailor to your own projects. The Curious Methods approach encourages users to take the time and space their practice deserves while offering tools, nourishment and encouragement and inviting them to take risks beyond their comfort zones. The exercises are carefully described so that they can easily be tested out by readers, and are well contextualized in relation to vivid examples from contemporary performance practice and relevant political contexts. This compelling approach goes beyond many other books on theatre devising which merely provide performance recipes; they do so by repeatedly highlighting the vital cultural relevance and potential personal impact of the experiments that they invite us to undertake.
|
588 |
0 |
|
|a Online resource; title from PDF title page (EBSCO; viewed on August 23, 2021).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Experimental theater.
|
650 |
|
0 |
|a Improvisation (Acting)
|
650 |
|
6 |
|a Improvisation (Art dramatique)
|
650 |
|
7 |
|a Experimental theater.
|2 fast
|0 (OCoLC)fst00918508
|
650 |
|
7 |
|a Improvisation (Acting)
|2 fast
|0 (OCoLC)fst00968302
|
650 |
|
7 |
|a PERFORMING ARTS / Theater / General
|2 bisacsh
|
700 |
1 |
|
|a Paris, Helen,
|d 1968-
|e author.
|
776 |
0 |
8 |
|i Print version:
|a Hill, Leslie
|t Devising Theatre and Performance
|d Bristol : Intellect Books Ltd,©2021
|z 9781789384710
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xw01w
|z Texto completo
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6683957
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2982127
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 302353366
|
994 |
|
|
|a 92
|b IZTAP
|