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Infinite variety : literary invention, theology, and the disorder of kinds, 1688-1730 /

Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schmidgen, Wolfram (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, [2021]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Schmidgen, Wolfram,  |e author. 
245 1 0 |a Infinite variety :  |b literary invention, theology, and the disorder of kinds, 1688-1730 /  |c Wolfram Schmidgen. 
264 1 |a Philadelphia :  |b University of Pennsylvania Press,  |c [2021] 
264 4 |c ©2021 
300 |a 1 online resource (259 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes biblipographical references and index 
520 |a Infinite Variety offers a brilliantly learned analysis of a seventeenth-century aesthetic framed not by the rise of secularism, but by its opposite, and embraced by English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe. 
520 |a Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy. 
505 0 0 |t Introduction --  |t Chapter 1. Toward a Voluntarist Aesthetic --  |t Chapter 2. Glorious Arbitrariness: Science, Religion, and the Imagination of Infinite Variety --  |t Chapter 3. Energy and Structure: Remaking the Given in Blackmore and Pope --  |t Chapter 4. Embarrassed Invention: Stillingfleet, Locke, and the Style of Voluntarism --  |t Chapter 5. The Constructive Swift: Between the Hope and Fear of Decomposition --  |t Chapter 6. The Providence of Gathering and Scattering: Dynamic Variety in Defoe --  |t Conclusion --  |t Notes --  |t Index --  |t Acknowledgments. 
588 |a Description based upon print version of record. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a English literature  |y 18th century  |x History and criticism. 
650 0 |a Literary form  |x History  |y 18th century. 
650 0 |a Order (Philosophy) in literature. 
650 0 |a Voluntarism  |x History  |y 18th century. 
650 0 |a Religion and literature  |z England  |x History  |y 18th century. 
651 0 |a England  |x Intellectual life  |x History  |y 18th century. 
650 6 |a Littérature anglaise  |y 18e siècle  |x Histoire et critique. 
650 6 |a Genres littéraires  |x Histoire  |y 18e siècle. 
650 6 |a Ordre (Philosophie) dans la littérature. 
650 6 |a Religion et littérature  |z Angleterre  |x Histoire  |y 18e siècle. 
651 6 |a Angleterre  |x Vie intellectuelle  |x Histoire  |y 18e siècle. 
650 7 |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh  |2 bisacsh 
650 7 |a English literature.  |2 fast  |0 (OCoLC)fst00911989 
650 7 |a Intellectual life.  |2 fast  |0 (OCoLC)fst00975769 
650 7 |a Literary form.  |2 fast  |0 (OCoLC)fst00999924 
650 7 |a Order (Philosophy) in literature.  |2 fast  |0 (OCoLC)fst01047371 
650 7 |a Religion and literature.  |2 fast  |0 (OCoLC)fst01093839 
650 7 |a Voluntarism.  |2 fast  |0 (OCoLC)fst01168976 
651 7 |a England.  |2 fast  |0 (OCoLC)fst01219920 
648 7 |a 1700-1799  |2 fast 
653 |a Alexander Pope. 
653 |a British literature. 
653 |a Daniel Defoe. 
653 |a Eighteenth-century. 
653 |a Empiricism. 
653 |a John Locke. 
653 |a Jonathan Swift. 
653 |a Literary history. 
653 |a Nominalism. 
653 |a Richard Blackmore. 
653 |a Rise of the novel. 
653 |a Robert Boyle. 
653 |a Secularization. 
653 |a Thomas Hobbes. 
653 |a Voluntarism. 
655 7 |a Literary criticism.  |2 fast  |0 (OCoLC)fst01986215 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Literary criticism.  |2 lcgft 
655 7 |a Critiques littéraires.  |2 rvmgf 
776 0 8 |i Print version:  |a Schmidgen, Wolfram.  |t Infinite variety.  |b 1st edition.  |d Philadelphia : University of Pennsylvania Press, [2021]  |z 9780812253290  |w (DLC) 2021003509  |w (OCoLC)1237634152 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1f45qqd  |z Texto completo 
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