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The piano : a history in 100 pieces /
An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre--from classical to jazz a...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Haven ; London :
Yale University Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tomes, Susan, |e author. | |
| 245 | 1 | 4 | |a The piano : |b a history in 100 pieces / |c Susan Tomes. |
| 264 | 1 | |a New Haven ; |a London : |b Yale University Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (x, 388 pages) | ||
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| 504 | |a Includes bibliographical references (pages 350-352) and index. | ||
| 505 | 0 | |a Pre-history : from harpsichord to piano -- From Haydn to Schubert : music for the developing 'fortepiano' -- From the Mendelssohns to Dvořák : the growing power of the nineteenth-century piano -- From Grieg to Ravel : into the twentieth century -- From Ives to Gubaidulina : 'stand up and take your dissonance like a man!' -- The jazz influence. Ragtime and 'syncopated' piano music ; Jazz piano, jazz pianists ; Jazz goes classical -- Today's piano styles : minimalism and historical awareness. | |
| 520 | |a An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre--from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer's perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach. | ||
| 545 | 0 | |a Susan Tomes is a concert pianist and writer. Renowned both as a soloist and as the pianist of Domus and the Florestan Trio, she is the author of numerous works including Beyond the Notes, Sleeping in Temples and Speaking the Piano. | |
| 588 | 0 | |a Online resource; title from PDF title page (JSTOR platform, viewed July 31, 2023). | |
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| 650 | 0 | |a Piano |x History. | |
| 650 | 0 | |a Piano music |x History and criticism. | |
| 650 | 6 | |a Piano, Musique de |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a Piano |2 fast | |
| 650 | 7 | |a Piano music |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Music criticism and reviews. |2 lcgft | |
| 655 | 7 | |a Comptes rendus de musique. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Tomes, Susan. |t Piano. |d New Haven ; London : Yale University Press, [2021] |z 0300253923 |w (DLC) 2021935438 |w (OCoLC)1241245785 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1t1kfj8 |z Texto completo |
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