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Latin American documentary filmmaking : major works /
Foster gives detailed examinations of major texts of Latin American filmmaking, discussing their textual production and processes of meaning. His analysis delves deeply into the world of Latin American film and brings forth a discourse of structure that has previously been absent from the fields of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tucson :
University of Arizona Press,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Preface
- Filming the socially absent. The role of the narrator in Fernando Birri's Tire dié (Argentina, 1958-60)
- Nostalgia as a discursive practice in Arturo Ripstein's El palacio negro (Mexico, 1976)
- Metafilmic devices in Eduardo Coutinho's Boca de lixo (Brazil, 1993)
- Documenting femicide in Juárez: rhetorical decisions in Lourdes Portillo's Señorita extraviada (United States, 2001)
- Gender trouble. This woman which is one: Helena Solberg's The double day (United States, 1976)
- Documenting queer, queer documentary: Cuban sexualities
- Gender dissonance in Fernando Pérez's Suite Habana (Cuba, 2003)
- Working clandestinely. Contesting a revolution: Raymundo Gleyzer's documentary México, la revolución congelada
- Hiding the camera in Miguel Littin's Acta general de Chile
- Historical present. Privileged spectatorship in Carmen Toscano's Memorias de un Mexicano (Mexico, 1950)
- Metonymic discourse in Fernando E. Solanas's La hora de los hornos (Argentina, 1968)
- Patricio Guzmán's La batalla de Chile as sociohistoric bildungsroman (Chile-Cuba, 1975-79).