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Latin American documentary filmmaking : major works /
Foster gives detailed examinations of major texts of Latin American filmmaking, discussing their textual production and processes of meaning. His analysis delves deeply into the world of Latin American film and brings forth a discourse of structure that has previously been absent from the fields of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tucson :
University of Arizona Press,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Foster, David William. | |
| 245 | 1 | 0 | |a Latin American documentary filmmaking : |b major works / |c David William Foster. |
| 264 | 1 | |a Tucson : |b University of Arizona Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (xiv, 215 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 159-207) and index. | ||
| 505 | 0 | |a Preface -- Filming the socially absent. The role of the narrator in Fernando Birri's Tire dié (Argentina, 1958-60) -- Nostalgia as a discursive practice in Arturo Ripstein's El palacio negro (Mexico, 1976) -- Metafilmic devices in Eduardo Coutinho's Boca de lixo (Brazil, 1993) -- Documenting femicide in Juárez: rhetorical decisions in Lourdes Portillo's Señorita extraviada (United States, 2001) -- Gender trouble. This woman which is one: Helena Solberg's The double day (United States, 1976) -- Documenting queer, queer documentary: Cuban sexualities -- Gender dissonance in Fernando Pérez's Suite Habana (Cuba, 2003) -- Working clandestinely. Contesting a revolution: Raymundo Gleyzer's documentary México, la revolución congelada -- Hiding the camera in Miguel Littin's Acta general de Chile -- Historical present. Privileged spectatorship in Carmen Toscano's Memorias de un Mexicano (Mexico, 1950) -- Metonymic discourse in Fernando E. Solanas's La hora de los hornos (Argentina, 1968) -- Patricio Guzmán's La batalla de Chile as sociohistoric bildungsroman (Chile-Cuba, 1975-79). | |
| 520 | 0 | |a Foster gives detailed examinations of major texts of Latin American filmmaking, discussing their textual production and processes of meaning. His analysis delves deeply into the world of Latin American film and brings forth a discourse of structure that has previously been absent from the fields of filmmaking and Latin American studies. This volume provides perspective on diverse and methodological approaches, pulling from a wide scope of cinematic traditions. Using his own critical readings and research, Foster presents his findings in terms that are accessible to non-Spanish speakers and Latin American film enthusiasts. -- Publisher, back cover. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Documentary films |z Latin America |x History and criticism. | |
| 650 | 6 | |a Documentaires |z Amérique latine |x Histoire et critique. | |
| 650 | 7 | |a 24.32 history of film art. |0 (NL-LeOCL)077601394 |2 bcl | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a Documentary films |2 fast | |
| 651 | 7 | |a Latin America |2 fast | |
| 650 | 7 | |a Dokumentarfilm |2 gnd | |
| 651 | 7 | |a Lateinamerika |2 gnd | |
| 651 | 7 | |a Latijns-Amerika. |2 gtt | |
| 650 | 7 | |a Dokumentärfilm, Latinamerika. |2 sfit | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Foster, David William. |t Latin American documentary filmmaking. |d Tucson : University of Arizona Press, [2013] |z 9780816523313 |w (DLC) 2012042369 |w (OCoLC)818954159 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1qwwk3q |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL28675021 | ||
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