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|a Schmeink, Lars,
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|a Biopunk dystopias :
|b genetic engineering, society, and science fiction /
|c Lars Schmeink.
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|a Liverpool :
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|c [2016]
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|a Liverpool science fiction texts and studies ;
|v [56]
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|a Includes bibliographical references (pages247-265) and index.
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|a Description based on print version record; resource not viewed.
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|a Dystopia, science fiction, posthumanism, and liquid modernity -- The anthropocene, the posthuman, and the animal -- Science, family and the monstrous progeny -- Individuality, choice, and genetic manipulation -- The utopian, the dystopian, and the heroic deeds of one -- 9/11 and the wasted lives of posthuman zombies.
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|a 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.
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|f This work is licensed by Knowledge Unlatched under a Creative Commons license
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|a In English.
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|a Science fiction
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|x History and criticism.
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|a Biotechnologie dans la littérature.
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|a Humanism
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|a Late modernity
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|a Posthuman
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|a Posthumanism
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|a Criticism, interpretation, etc.
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|t Biopunk dystopias
|d Liverpool : Liverpool University Press, [2016]
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