After the end of art : contemporary art and the pale of history /
"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of...
Clasificación: | Libro Electrónico |
---|---|
Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton, New Jersey :
Princeton University Press,
[2014]
|
Edición: | First Princeton classics edition. |
Colección: | A.W. Mellon lectures in the fine arts ;
1995. Bollingen series ; 35:44. Princeton classics. |
Temas: | |
Acceso en línea: | Texto completo |
MARC
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082 | 0 | 4 | |a 707.22 |2 23 |
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100 | 1 | |a Danto, Arthur C., |d 1924-2013, |e author. | |
245 | 1 | 0 | |a After the end of art : |b contemporary art and the pale of history / |c Arthur C. Danto ; with a new foreword by Lydia Goehr. |
250 | |a First Princeton classics edition. | ||
264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [2014] | |
264 | 4 | |c ©1997 | |
300 | |a 1 online resource (xxvi, 239 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a The A.W. Mellon lectures in the fine arts ; |v 1995 | |
490 | 1 | |a Bollingen series ; |v XXXV, 44 | |
490 | 1 | |a Princeton classics | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Foreword to the Princeton classics edition -- Introduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: Possibility and comedy. | |
520 | |a "Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover | ||
588 | 0 | |a Print version record. | |
590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
590 | |a JSTOR |b Books at JSTOR All Purchased | ||
590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
650 | 0 | |a Art |x Historiography. | |
650 | 0 | |a Postmodernism. | |
650 | 0 | |a Art criticism |x Philosophy. | |
650 | 6 | |a Art |x Historiographie. | |
650 | 6 | |a Postmodernisme. | |
650 | 6 | |a Critique d'art |x Philosophie. | |
650 | 7 | |a ART |x History |x Contemporary (1945- ) |2 bisacsh | |
650 | 7 | |a Art criticism |x Philosophy |2 fast | |
650 | 7 | |a Art |x Historiography |2 fast | |
650 | 7 | |a Postmodernism |2 fast | |
650 | 7 | |a Kunst |2 gnd | |
650 | 7 | |a Ästhetik |2 gnd | |
650 | 7 | |a Postmoderne |2 gnd | |
650 | 7 | |a Konstteori. |2 sao | |
650 | 7 | |a Postmodernism (konst) |2 sao | |
650 | 7 | |a Art and Design. |2 ukslc | |
700 | 1 | |a Goehr, Lydia, |e writer of supplementary textual content. | |
776 | 0 | 8 | |i Print version: |a Danto, Arthur C., 1924-2013. |t After the end of art. |b First Princeton classics edition. |d Princeton, New Jersey : Princeton University Press, [2014] |z 0691163898 |w (DLC) 2014943658 |w (OCoLC)877364695 |
830 | 0 | |a A.W. Mellon lectures in the fine arts ; |v 1995. | |
830 | 0 | |a Bollingen series ; |v 35:44. | |
830 | 0 | |a Princeton classics. | |
856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1j666cd |z Texto completo |
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