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00000cam a2200000 i 4500 |
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JSTOR_on1253749136 |
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OCoLC |
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20231005004200.0 |
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210603s2021 enk o 000 0 eng d |
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|a 9781800858497
|q (electronic book)
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|z 1800859287
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|a PN1997.S43
|b C65 2021
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|a 791.4372
|2 23
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|a UAMI
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1 |
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|a Conolly, Jez.
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1 |
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|a Seconds /
|c Jez Conolly, Emma Westwood.
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264 |
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|a Liverpool :
|b Liverpool University Press ;
|a Leighton Buzzard :
|b Auteur Publishing,
|c [2021]
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300 |
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|a 1 online resource
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|a text
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|a online resource
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490 |
1 |
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|a Constellations
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|a Access to content denied by publisher. Description cannot be verified; title from digital cover (viewed on June 17, 2021).
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|a Seconds (1966) is John Frankenheimer's criminally overlooked parable of paranoia - part SF, part body horror, part thriller cum black comedy, and arguably the bleakest mainstream Hollywood film ever made. This Constellation illuminates the film's many attributes, and contends that Seconds is both emblematic of the time in which it was made and perpetually relevant to new audiences.
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590 |
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630 |
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|a Seconds (Motion picture)
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700 |
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|a Westwood, Emma,
|e author.
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776 |
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|i Print version:
|z 1800859287
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830 |
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|a Constellations (Leighton Buzzard, England)
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1pfqnb9
|z Texto completo
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|a Liverpool University Press
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|a Oxford University Press USA
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