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Visceral screens : mediation and matter in horror cinema /
Investigates how horror films have rendered the humanbody as a media artifact, dramatically dis-figuring it with optical effects and visual fragmentation.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2021.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cameron, Allan, |d 1973- |e author. | |
| 245 | 1 | 0 | |a Visceral screens : |b mediation and matter in horror cinema / |c Allan Cameron. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (216 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Investigates how horror films have rendered the humanbody as a media artifact, dramatically dis-figuring it with optical effects and visual fragmentation. | ||
| 520 | |a "Horror cinema grants bodies and images a precarious hold on sense and order: from the zombie's gory disintegration to the shaky visuals of 'found footage' horror, and from the vampire's absent reflection to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens investigates how they have rendered the human form as a media artefact, dramatically dis-figuring it with optical effects, chromatic shifts, glitches and audiovisual fragmentation. Conducting their own anatomies of the screen, cutting into the matter of cinema, horror films revel in the breakdown of frames, patterns and figures, undermining subjectivity and meaning."--Publisher description | ||
| 505 | 0 | |a Vampire Optics: Projection, Diffusion, Contact -- Zombie Media: Transmission, Reproduction, Disintegration -- Corporeal Frames: Found-Footage Horror and the Dislocated Image -- Aesthetic Incisions: Giallo Cinema and the Matter of the Cut -- Chromatic Transfusions: Colour, Genre and Embodiment -- Sensory Disjunctures: From Audiovisual Rupture to Violent Synchrony. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Human body in motion pictures. | |
| 650 | 0 | |a Electronic books. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Corps humain au cinéma. | |
| 650 | 6 | |a Livres numériques. | |
| 650 | 7 | |a e-books. |2 aat | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Human body in motion pictures |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cameron, Allan. |t Visceral Screens. |d Edinburgh : Edinburgh University Press, ©2021 |z 9781474419192 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1ns7n35 |z Texto completo |
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