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Remembering the Future
"In Remembering the Future Luciano Berio shares with us some musical experiences that "invite us to revise or suspend our relation with the past and to rediscover it as part of a future trajectory." His meditation on music and the ways of experiencing it reflects the composer's p...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Harvard University Press,
2006.
|
| Colección: | The Charles Eliot Norton Lectures.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Berio, Luciano. | |
| 245 | 1 | 0 | |a Remembering the Future |h [electronic resource]. |
| 260 | |a Cambridge : |b Harvard University Press, |c 2006. | ||
| 300 | |a 1 online resource (156 p.). | ||
| 490 | 1 | |a The Charles Eliot Norton Lectures | |
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Formations -- Translating music -- Forgetting music -- O alter Duft -- Seeing music -- Poetics of analysis. | |
| 520 | 1 | |a "In Remembering the Future Luciano Berio shares with us some musical experiences that "invite us to revise or suspend our relation with the past and to rediscover it as part of a future trajectory." His meditation on music and the ways of experiencing it reflects the composer's profound understanding of the history and contemporary practice of his art." | |
| 520 | 8 | |a "There is much in this short book that provides insight on Berio's own compositions. Indeed, he comments that writing it "led me to formulate thoughts that might otherwise have remained concealed in the folds of my music." He explores themes such as transcription and translation, poetics and analysis, "open work," and music theater. The reader will also find here numerous insights on the work of other composers, past and present, and much more. Berio ranges easily among topics such as Schenkerian analysis, the criticism of Carl Dahlhaus and Theodor Adorno, and the works of his friends and sometime collaborators Italo Calvino and Umberto Eco."--Jacket. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music |x History and criticism. | |
| 650 | 0 | |a Composers. | |
| 650 | 6 | |a Musique |x Histoire et critique. | |
| 650 | 6 | |a Compositeurs. | |
| 650 | 7 | |a composers (people in music) |2 aat | |
| 650 | 7 | |a Composers. |2 fast |0 (OCoLC)fst00871620 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Berio, Luciano |t Remembering the Future |d Cambridge : Harvard University Press,c2006 |z 9780674021549 |
| 830 | 4 | |a The Charles Eliot Norton Lectures. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1nzfghq |z Texto completo |
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| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6627443 | ||
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