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Reimagining black art and criminology : a new criminological imagination /
Martin Glynn explores the relevance black artistic contributions have for understanding crime and justice. Through art forms including black crime fiction, black theatre and black music, this book brings attention to marginalized perspectives within mainstream criminology.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Bristol University Press,
2021.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover
- Reimagining Black Art and Criminology
- Copyright information
- Table of contents
- Note on Terminology
- About the Author
- Acknowledgements
- Preface
- Beyond the Wall
- 1 Reimagining a Black Art Infused Criminology
- Systemic change
- Imaginations
- The black criminological imagination
- Black epistemological space
- Black criminology arrives
- What no theories?
- Reflection
- 2 The People Speak
- The need for a black aesthetic
- Ongoing struggle
- Milestone
- Arising conflict
- Awakening
- Winston Churchill Fellowship
- The roll call
- Harlem Renaissance
- The Niagara Movement
- Négritude
- Black Arts Movement (US)
- Black Arts Movement (United Kingdom)
- Combahee River Collective
- National Black Arts Alliance
- Apples and Snakes
- New Beacon Books
- Walter Rodney Bookshop
- Race Today Collective
- Reflection
- 3 Shadow People
- Troubling thoughts
- Black crime fiction
- Redressing the balance
- Expansion
- Insider-outsider
- Access
- The code
- Blackness and the criminologist
- Extract from Pause for a Minute: Reflections on the 2011 English Riots
- Transcending boundaries
- Black crime fiction as speculative fiction about crime
- Reflection
- 4 Staging the Truth
- Where are we now?
- Who engages who?
- Culturally sensitive research methods
- Theatre as praxis
- Dramatizing research
- Silences
- Transformation
- Applied theatre and me
- Ethnodrama and me
- Reflection
- 5 Beyond The Wire
- Whose cinematic representation is it?
- Mediatized worlds, race, and crime
- Contrast
- Malevolence
- The question
- Fact or fiction?
- Postscript from a frustrated black writer
- Show, don't tell
- The prefix syndrome
- Reflection
- 6 Strange Fruit
- Black music and me
- Black arts movements and music
- Survival
- Identity stripping
- Black music and criminology
- The past speaks
- Colours
- Case Example: David
- Reflection
- 7 Of Mules and Men
- Black stories matter
- Aesop's Fables
- Trickster stories
- Uncle 'P' and Marcus stories
- Issue-based storytelling: the consequences of knife crime
- Letter writing as stories
- Reflection
- 8 Seeing the Story
- The need to reframe who we are
- Koestler Arts
- Dismay
- The Black Art Group
- Roll call
- Visual art and desistance
- Towards black visual arts as cultural therapy
- Reflection: towards a model of visual arts as cultural therapy
- 9 Speaking Data and Telling Stories
- Context
- Moving beyond boundaries
- Praxis
- Augusto Boal
- Data verbalization is the way to go
- The inventory
- Stage 1
- Finding a premise
- Stage 2
- Highlighting
- Stage 3
- Rhymes
- Stage 4
- Studio recording
- Example: code switching
- Reflection
- 10 Locating the Researcher
- Presentation of self
- Reflexivity
- Masking
- Breaking the fourth wall
- Incorporation
- Auto-ethnography
- Passages
- Presenting your auto-ethnography
- Reflection