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|a 9789048542925
|q (electronic bk.)
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|a 9048542928
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|z 9789463720809
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|a UAMI
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|a The home, nations and empires, and ephemeral exhibition spaces :
|b 1750-1918 /
|c edited by Dominique Bauer and Camilla Murgia.
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|a Amsterdam :
|b Amsterdam University Press,
|c [2021]
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|c ©2021
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|a 1 online resource (275 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Spatial imageries in historical perspective
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|a Includes bibliographical references and index.
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|a Introduction: Ephemeral exhibition spaces and the dynamic of historical liminalities / Dominique Bauer -- Panorama as critical restoration: examining the ephemeral space of Viollet-le-Duc's study at La Vedette / Aisling O'Carroll -- An ephemeral museum of decorative and industrial arts: Charles Albert's Vlaams Huis / Daniela N. Prina -- Expanfding interiors: architectural photographs of the Countess de Castiglione / Heidi Brevik-Zender -- The land that never was: liminality of existence and the imaginary spaces in the Archbishopric of Karlovci / Jelena Todorovic -- The theatre of affectionate hearts: Izabela Czartoryska's Musée des monuments polonais in Puławy (1801-1831) / Michał Mencfel -- A burning mind, a dream space, a "fantastic exhibition" / Inessa Kouteinikova -- An ephemeral display within an ephemeral museum: the East India Company contribution to the Manchester Art Treasures Exhibition of 1857 / Elizabeth A. Pergam -- Julia Margaret Cameron's railway station exhibition: a private gallery in the public sphere / Jeff Rosen -- Paper monument: the paradoxical space in the English paper peepshow of the Thames Tunnel, 1825-1843 / Shijia Yu.
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|a "This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing." -- Back cover.
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|a Description based on print version record.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Exhibitions
|x History.
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650 |
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0 |
|a Art
|x Exhibition techniques
|x History.
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650 |
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|a Display of collectibles
|x History.
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650 |
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|a Museum exhibits
|x History.
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650 |
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|a Art
|x Techniques d'exposition
|x Histoire.
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650 |
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|a Objets exposés
|x Histoire.
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|a Expositions
|x Histoire.
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650 |
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|a Art & design styles: Romanticism.
|2 bicssc
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|a Museology and heritage studies.
|2 bicssc
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650 |
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|a Social and cultural history.
|2 bicssc
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650 |
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7 |
|a ART / History / Romanticism.
|2 bisacsh
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650 |
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|a ART / Museum Studies.
|2 bisacsh
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650 |
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|a HISTORY / Social History.
|2 bisacsh
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650 |
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7 |
|a Museum exhibits
|2 fast
|
650 |
|
7 |
|a Exhibitions
|2 fast
|
650 |
|
7 |
|a Display of collectibles
|2 fast
|
650 |
|
7 |
|a Art
|x Exhibition techniques
|2 fast
|
655 |
|
7 |
|a History
|2 fast
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700 |
1 |
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|a Bauer, Dominique,
|e editor.
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700 |
1 |
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|a Murgia, Camilla,
|d 1977-
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Home, nations and empires, and ephemeral exhibition spaces.
|d Amsterdam : Amsterdam University Press, [2021]
|z 9789463720809
|w (OCoLC)1228476506
|
830 |
|
0 |
|a Spatial imageries in historical perspective.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1nc6rbt
|z Texto completo
|
938 |
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|a Amsterdam University Press
|b AUPA
|n 9789048542925
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|a Digitalia Publishing
|b DGIT
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|a YBP Library Services
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|a De Gruyter
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|a Askews and Holts Library Services
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|a Project MUSE
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|a ProQuest Ebook Central
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