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Musical debate and political culture in France, 1700-1830 /

In the eighteenth and early nineteenth centuries, French cultural life seethed with debates about the proper nature and form of musical expression, particularly in opera. Expressed in a flood of pamphlets, articles, letters and poems as well as in the actual disruption of performances, these so-call...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Arnold, R. J. (Robert James), 1971- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge : The Boydell Press, 2017.
Colección:Music in society and culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Arnold, R. J.  |q (Robert James),  |d 1971-  |e author. 
245 1 0 |a Musical debate and political culture in France, 1700-1830 /  |c R.J. Arnold. 
264 1 |a Woodbridge :  |b The Boydell Press,  |c 2017. 
264 4 |c ©2017 
300 |a 1 online resource (vi, 232 pages) :  |b illustrations 
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490 1 |a Music in Society and Culture 
504 |a Includes bibliographical references (pages 214-228) and index. 
520 8 |a In the eighteenth and early nineteenth centuries, French cultural life seethed with debates about the proper nature and form of musical expression, particularly in opera. Expressed in a flood of pamphlets, articles, letters and poems as well as in the actual disruption of performances, these so-called querelles were seen at the time as a distinctively French phenomenon and have been mined by scholars since for what they can tell us about French politics and culture in the revolutionary period. 0This is the first full-length treatment of the entire history of this phenomenon, from its beginnings in the last years of Louis XIV to the 1820s when the new musical challenges of Berlioz and Wagner put an end to this particular form of debate. Arnold analyses the individual querelles, showing how they reflected and played their part in wider political and cultural events. At the same time, he traces themes common in varying degrees to them all - questions of authority, the issue of national prestige, and the relation of language to music. Where some scholars have characterised these disputes as simply politics by proxy, Arnold paints a more nuanced picture, showing that music itself was taken seriously beyond artistic circles because it was seen as having great, potentially limitless, power over popular sentiment and thus implicitly power to reform society and change the world. 
505 0 |a Parallels, comparisons and ripostes: the Raguenet-Lecerf controversy, 1702-32 -- Spectators, satirists and sectarians: the Ramiste-Lulliste Querelle, 1733-51 -- 'A vast negotiation': the Querelle des bouffons, 1752-54 -- The spirit of contradiction: the Gluckiste-Piccinniste Querelle, 1774-88 -- A revolutionary interlude: 1789-1800 -- The end of the party: new avenues for musical dispute, 1800-30 -- Conclusion. 
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650 0 |a Opera  |z France  |y 18th century. 
650 0 |a Opera  |z France  |y 19th century. 
650 0 |a Querelle des Bouffons. 
650 6 |a Opéra  |z France  |y 18e siècle. 
650 6 |a Opéra  |z France  |y 19e siècle. 
650 6 |a Querelle des bouffons. 
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650 7 |a Opera  |2 fast 
650 7 |a Querelle des Bouffons  |2 fast 
651 7 |a France  |2 fast 
650 7 |a Musik  |2 gnd 
650 7 |a Gesellschaft  |2 gnd 
651 7 |a Frankreich  |2 gnd 
650 7 |a Opera  |z France  |y 18th century.  |2 nli 
650 7 |a Opera  |z France  |y 19th century.  |2 nli 
650 7 |a Querelle des Bouffons.  |2 nli 
650 7 |a Opéra  |z France  |y 18e siècle.  |2 ram 
650 7 |a Opéra  |z France  |y 19e siècle.  |2 ram 
648 7 |a 1700-1899  |2 fast 
776 0 8 |i Print version:  |a Arnold, R.J. (Robert James), 1971-  |t Musical debate and political culture in France, 1700-1830.  |d Woodbridge : The Boydell Press, 2017  |z 9781783272013  |w (DLC) 2017561141  |w (OCoLC)967833212 
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