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Tabla de Contenidos:
  • Foreword
  • Im Kwon-taek: Korean national cinema and Buddhism
  • Im Kwon-taek's use of nativist Korean culture as allegories of cinema: Ch'unhyang, Chihwaseon, and Hanji
  • The name of a desire: recollections of socialist realism in East Asian art cinema
  • Tradition and the movies: the working-class Asian American avant-garde in Los Angeles
  • The sons and daughters of Los: culture and community in Los Angeles
  • Toward a geo-cinematic hermeneutics/The city as means of production: representations of Los Angeles in Killer of sheep and Water and power
  • Expanded cinema in Los Angeles: the single wing turquoise bird
  • L.A.'s hipster cinema
  • Film as an instrument of thought, cinema as an augury of redemption: Ken Jacobs' The sky socialist
  • "Apotheosis into tragedy": catoptrics of self in Andy Warhol's Lupe
  • Letter to Paul Arthur (Letter with endnotes)
  • Agricultural revelation: land, labor, and voice in three films about Laxton.