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|a 020275738
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|a 1800102070
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|a 22573/ctv1gpqwx3
|b JSTOR
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|a PT134.A76
|b M98 2021
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|a ART
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|a UAMI
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|a Meyertholen, Andrea Noel,
|e author.
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|a The myth of abstraction :
|b the hidden origins of abstract art in German literature /
|c Andrea Meyertholen.
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|a Rochester, New York :
|b Camden House,
|c 2021.
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|c ©2021
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|a 1 online resource (xiv, 295 pages) :
|b color illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Studies in German literature, linguistics, and culture
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|a Includes bibliographical references and index.
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|a "Once upon a time (or more specifically, in 1911!) there was an artist named Wassily Kandinsky who created the world's first abstract artwork and forever altered the course of art history-or so the traditional story goes. A good story, but not the full story. The Myth of Abstraction reveals that abstract art was envisioned long before Kandinsky, in the pages of nineteenth-century German literature. It originated from the written word, described by German writers who portrayed in language what did not yet exist as art. Yet if writers were already writing about abstract art, why were painters not painting it? To solve the riddle, this book features the work of three canonical nineteenth-century authors-Heinrich von Kleist, Johann Wolfgang von Goethe, and Gottfried Keller-who imagine, theorize, and describe abstract art in their literary writing, sometimes warning about the revolution it will cause not just in art, but in all aspects of social life. Through close readings of their textual images and visual analyses of actual paintings, Andrea Meyertholen shows how these writers anticipated the twentieth-century birth of abstractart by establishing the necessary conditions for its production, reception, and consumption. The first study to bring these early descriptions of abstraction together and investigate their significance, The Myth of Abstraction writes an alternative genealogy featuring the crucial role of literature in shaping abstract art in aesthetic, cultural, and social terms."--Publisher description.
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|a Online resource; title from PDF title page (JSTOR, viewed September 13 2021).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Art, Abstract, in literature.
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650 |
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|a German literature
|y 19th century
|x History and criticism.
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|a Littérature allemande
|y 19e siècle
|x Histoire et critique.
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650 |
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|a Art, Abstract, in literature.
|2 fast
|0 (OCoLC)fst00815856
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650 |
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|a German literature.
|2 fast
|0 (OCoLC)fst00941797
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648 |
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|a 1800-1899
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
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|i Print version:
|a Meyertholen, Andrea Noel.
|t Myth of abstraction.
|d Rochester, New York : Camden House, 2021
|z 9781640141049
|w (DLC) 2020951583
|w (OCoLC)1201685233
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830 |
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|a Studies in German literature, linguistics, and culture.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1grbbf1
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH39010574
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|a YBP Library Services
|b YANK
|n 302086805
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|a 92
|b IZTAP
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